Kevin Baker on Dolchstosslegende

"Yet in demanding so little, Bush has finally uncoupled the state from its heroic status. It is not a coincidence that modern nationalism dates from the advent of mass democracy--and mass citizen armies--that the American and French revolutions ushered in at the end of the eighteenth century. Bush's refusal to mobilize the nation for the war in Iraq has severed that immediate identification with our army's fortunes. Nor did it begin with the Bush Administration. The wartime tax cuts and the all-volunteer, wartime army are simply the latest manifestations of a trend that is now decades old and that has been promulgated through peace as well as war, by Democrats as well as Republicans. It cannot truly be a surprise that a society that has steadily dismantled or diminished the most basic access to health care, relief for the poor and the aged, and decent education; a society that has allowed the gap between its richest and poorest citizens to grow to unprecedented size; a society that has paid obeisance to the ideology of globalization to the point of giving away both its jobs and its debt to foreign nations, and which has just allowed one of its poorer cities to quietly drown, should choose to largely opt out of its own defense..."


 

looking greatly forward to uncrating Sam Peckinpah's The Legendary Westerns Collection later this afternoon...

 

detailed assessment of late singer/songwriterGrant McLennan's career has samples, etc....

"I recall
a schoolboy coming home
through fields of cane
to a house of tin and timber
and in the sky
a rain of falling cinders
from time to time..."


 

The Guys Get Shirts

Paul Anka rallies the troops...

(NSFW)
 

Doug Messerli on Colin MacInnes' "London Novels", including "Absolute Beginners"--

"So I went out of the Dubious to catch the summer evening breeze. The night was glorious, out there. The air was sweet as a cool bath, the stars were peeping nosily beyond the neons, and the citizens of the Queendom, in their jeans and separates, were floating down the Shaftesbury avenue canals, like gondolas. Everyone had loot to spend, everyone a bath with verbena salts behind them, and nobody had broken hearts, because they all were all ripe for the easy summer evening..."


 

What's an Iraqi Life Worth?



"Misdirected violence alienates those we are claiming to protect. It plays into the hands of the insurgents, advancing their cause and undercutting our own. It fatally undermines the campaign to win hearts and minds, suggesting to Iraqis and Americans alike that Iraqi civilians -- and perhaps Arabs and Muslims more generally -- are expendable. Certainly, Nahiba Husayif Jassim's death helped clarify her brother's perspective on the war. "God take revenge on the Americans and those who brought them here," he declared after the incident. "They have no regard for our lives."

He was being unfair, of course. It's not that we have no regard for Iraqi lives; it's just that we have much less regard for them. The current reparations policy -- the payment offered in those instances in which U.S. forces do own up to killing an Iraq civilian -- makes the point. The insurance payout to the beneficiaries of an American soldier who dies in the line of duty is $400,000, while in the eyes of the U.S. government, a dead Iraqi civilian is reportedly worth up to $2,500 in condolence payments -- about the price of a decent plasma-screen TV..."

farewell Syd Barrett--

"Slowly, but with no doubt or hesitation whatever, and in something of a solemn expectancy, the two animals passed through the broken tumultuous water and moored their boat at the flowery margin of the island. In silence they landed, and pushed through the blossom and scented herbage and undergrowth that led up to the level ground, till they stood on a little lawn of a marvellous green, set round with Nature's own orchard-trees-- crab-apple, wild cherry, and sloe.

`This is the place of my song-dream, the place the music played to me,' whispered the Rat, as if in a trance. `Here, in this holy place, here if anywhere, surely we shall find Him!'

Then suddenly the Mole felt a great Awe fall upon him, an awe that turned his muscles to water, bowed his head, and rooted his feet to the ground. It was no panic terror--indeed he felt wonderfully at peace and happy--but it was an awe that smote and held him and, without seeing, he knew it could only mean that some august Presence was very, very near. With difficulty he turned to look for his friend. and saw him at his side cowed, stricken, and trembling violently. And still there was utter silence in the populous bird-haunted branches around them; and still the light grew and grew.

Perhaps he would never have dared to raise his eyes, but that, though the piping was now hushed, the call and the summons seemed still dominant and imperious. He might not refuse, were Death himself waiting to strike him instantly, once he had looked with mortal eye on things rightly kept hidden. Trembling he obeyed, and raised his humble head; and then, in that utter clearness of the imminent dawn, while Nature, flushed with fulness of incredible colour, seemed to hold her breath for the event, he looked in the very eyes of the Friend and Helper; saw the backward sweep of the curved horns, gleaming in the growing daylight; saw the stern, hooked nose between the kindly eyes that were looking down on them humourously, while the bearded mouth broke into a half-smile at the corners; saw the rippling muscles on the arm that lay across the broad chest, the long supple hand still holding the pan-pipes only just fallen away from the parted lips; saw the splendid curves of the shaggy limbs disposed in majestic ease on the sward; saw, last of all, nestling between his very hooves, sleeping soundly in entire peace and contentment, the little, round, podgy, childish form of the baby otter. All this he saw, for one moment breathless and intense, vivid on the morning sky; and still, as he looked, he lived; and still, as he lived, he wondered.

`Rat!' he found breath to whisper, shaking. `Are you afraid?'

`Afraid?' murmured the Rat, his eyes shining with unutterable love. `Afraid! Of him? O, never, never! And yet--and yet-- O, Mole, I am afraid!'

Then the two animals, crouching to the earth, bowed their heads and did worship.

Sudden and magnificent, the sun's broad golden disc showed itself over the horizon facing them; and the first rays, shooting across the level water-meadows, took the animals full in the eyes and dazzled them. When they were able to look once more, the Vision had vanished, and the air was full of the carol of birds that hailed the dawn.

As they stared blankly. in dumb misery deepening as they slowly realised all they had seen and all they had lost, a capricious little breeze, dancing up from the surface of the water, tossed the aspens, shook the dewy roses and blew lightly and caressingly in their faces; and with its soft touch came instant oblivion. For this is the last best gift that the kindly demi- god is careful to bestow on those to whom he has revealed himself in their helping: the gift of forgetfulness. Lest the awful remembrance should remain and grow, and overshadow mirth and pleasure, and the great haunting memory should spoil all the after-lives of little animals helped out of difficulties, in order that they should be happy and lighthearted as before..."

from "The Piper at the Gates of Dawn" chapter of
The Wind in the Willows





 

long essay on Kevin Davies' Comp. which I'm going to have to read again...

"In other words, it seems like Davies is suggesting that grammar and syntax, even when tinkered with, speciously incite the syllogistic production of readerly meaning--and that the function of having learned to read produces not self-reflexive insights about language use but, well, readings of the available language. He stresses, in the haughty tone of adolescence, how he learned this all in the first grade: language governs itself. While this is the exact claim a critique of linguistic transparency attempts to rebut, in evoking early childhood education (as opposed to post-secondary education), the voice Davies adopts situates the reader of Language writing as an expressive subject in social space, with problematic results. That is, the point here might be that Language writing can't possibly teach us to unlearn certain lessons when we come to it at ages of decreasing neural plasticity..."