




To tell you the truth, I cannot understand what the mission is in Afghanistan any more. It is not to fight Al Qaeda there. I haven’t seen anything about U.S. troops engaging or capturing “Arab Afghans” for years. It appears that the U.S. and NATO are just trying to shore up the government of Hamid Karzai, which only controls thirty percent of the country. And what do we expect? That someday rural Pashtun Muslims will wake up and say, “I don’t mind foreign troops patrolling my country, I’m happy to be ruled by Tajiks and Hazara Shiites, and I’m not that interested in living by Islamic law anymore”? President Obama has spoken about fighting defeating the “Taliban,” but there seem to be four or five distinct groups now being called that, only one of them is Mulla Omar’s “Old Taliban.” And, I have a distinct sense of dread that some of the Pashtuns attacking NATO checkpoints are just disgruntled poppy farmers whose crops we burned down...









It all started in 2001 as a purportedly modest "local" effort to offer inter-island ferry service to "help local people more easily visit their relatives on other islands, and carry their farm produce to market." Most locals liked the idea but soon found that this ferry, the gigantic Hawaii Superferry, was an environmental nightmare. It uses far more fuel (in total and per person) than big planes. It races at high speed (40-45 miles per hour) through zones teeming with endangered humpback whales, dolphins and rare sea turtles. It could transport dangerous invasive species to pristine islands. And it carries hundreds of cars to tiny places already choking on traffic...

“There is nothing ambiguous about our double entendres,” Bromige tells us in “Typicality Enthralls with its Particular Failures,” and then continues with “The poet, having no identity is continually informing and filling some other body, and who isn’t a poet, if by that this case means scorned, spurned, feverish, headed for death, name writ on water, way with words, incapable of not noticing all this and more upon occasion?”






Beyond the joys of pure rhythmic clatter and shift, isn’t there in Kerouac a breeze willingness to come spoutingly close to nonsense, as if the present American vernacular simply cannot contain what he’s saying. I love the moments—kin to a blues guitarist stretching a string, pulling out a long blue grace note, or air-thrashing amp-tight in full-feedback, making the electronic overload do the talking—where Kerouac simply makes up the words, little splurges of talking in tongues. Phrases like “spluttrous inheld explosions of dont-laugh” or “lamplit oil house flimmered in a glub of night trees” or “incarnate dirt behung in drapes of grain by level deep doop dung” or “spermatazoing in all directions” or “a rosecovered cottage flat on the dreaming lurps and purls of the Merrimac” or (swimming in that Thoreauvian stream now bedung’d):
—where regularly you saw lumps of human shit floating—I have nightmares of swallowing a cud of crap when I get up on my half rock and point hands to dive, by God I learned to dive by myself by half submerging to my waist—but there’s these turds floating in the river of time and I‘m ready to sprowf myself one up, flubadegud—
Think how precise “half rock” is, and “point hands to dive” and how “sprowf” rejects the thing it ingests, a visceral gag-reflex of a word: it’s the all-assault precision of Kerouac that allows in things like “river of time”—just another springboard (abstract) cantilever’d out over the all, another dive into it. Does it—Kerouac’s racing pulse, picking up whatever sound-confab comes along the ear-ways—fit in against Clark Coolidge’s sense of Free Jazz—“these guys made a time where there was no strong or weak beat. It was all like one-one-one-one-one-one-one to infinity. In other words you could play anything at all over that time, you could go anywhere and not worry about how to come back”?









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