the mighty Sasha Frere-Jones on London Calling--

"On "London Calling," Strummer remakes his major points: the police are on the wrong side, wage labor will crush your soul, and sometimes people need to destroy property to be heard. His sense of righteousness is enhanced by the album's sequencing, which feels Biblically logical and begins with one of the best opening songs of any record ever, the title track. The song starts cold. Two guitar chords ring on the downbeats, locked in step with the drums, marching forward with no dynamic variation. A second guitar introduces difference, coming toward us like an ambulance Dopplering into range. The bass guitar, sounding like someone’s voice, heralds everybody over the hill and into the song. If you can listen to it without getting a chilly burst of immortality, there is a layer between you and the world. Joe Strummer simultaneously watches the riots and sloughs off his role as de-facto punk president: "London calling, now don't look to us / All that phony Beatlemania has bitten the dust / London calling, see we ain't got no swing / 'Cept for the ring of that truncheon thing." The chorus forms a keystone for the whole album: "A nuclear error, but I have no fear / London is drowning and I, I live by the river." The Clash are laughing at Margaret Thatcher and will be dancing long after the police have come and gone."