mosses from an old manse

a blog from Nanaimo pjculley at shaw.ca

Friday, September 29, 2006




A Letter From Hammertown



Dear -------

If it's not my fault reggaeton
ain't catching on
with the surf & sandalwood set--
these "sleeve notes"
as you call them
are still all that
keep me from following
Sunny Boy & Red River
over Pellagra Falls--
ok so never the chef nor the entrepeneur
but not the guy in a leather apron
with a bolt-gun either,
delivering up discrimination
at the end of a sticky fork
& if the molasses taste of anger
is likewise as brittle
when it cools off
as a guinea palmed to a retainer
at the moment of yearly eye contact
so too the pronouncements
of this Brazen Head
can pass in a dark room
for both nourishment
& judgement.

Magna Carta RIP

"After years of interrogations at Guantanamo, the military interrogators had come to realize that Mr. Daihani had not meant to give money to support terrorism, having had no inkling that his donation could have supported any terrorist groups.

Yet to the U.S. military it did not matter whether Mr. Daihani had intended to support terrorism or even known that he might have supported terrorism. Even if his support for terrorism was entirely accidental, the military designated Mr. Daihani an 'enemy combatant,' and, on that basis, kept him locked up 24 hours a day for four years, in solitary confinement in a 9- by 6-foot cell, forbidding him to speak to his family or even to read a newspaper.

The absence of any evidence that Mr. Daihani had ever done anything to support terrorism came to light only because the right to seek habeas corpus was available. After the Supreme Court held, in 2004, that Mr. Daihani and the other detainees could seek habeas corpus, Mr. Daihani was allowed to meet with his lawyers, who worked for several years to win his freedom. More than a year after it became public that no evidence supported Mr. Daihani's imprisonment, the government released him to Kuwait, his home country.

Congress is now poised to do something it has never done before: Take away the right of prisoners to seek habeas corpus. Since long before the United States became a nation, the right to seek habeas corpus has guaranteed that anyone imprisoned by the government may ask a judge to determine whether he or she is properly imprisoned. The right to seek habeas corpus has applied to prisoners regardless of whether they are citizens or foreigners, and no matter how dangerous they are accused of being, or how horrible their alleged crimes..."

Article 1, Section 9, Clause 2: William Blackstone, Commentaries 3:129--37

"In a former part of these commentaries we expatiated at large on the personal liberty of the subject. It was shewn to be a natural inherent right, which could not be surrendered or forfeited unless by the commission of some great and atrocious crime, nor ought to be abridged in any case without the special permission of law. A doctrine co-eval with the first rudiments of the English constitution; and handed down to us from our Saxon ancestors, notwithstanding all their struggles with the Danes, and the violence of the Norman conquest: asserted afterwards and confirmed by the conqueror himself and his descendants: and though sometimes a little impaired by the ferocity of the times, and the occasional despotism of jealous or usurping princes, yet established on the firmest basis by the provisions of magna carta, and a long succession of statutes enacted under Edward III. To assert an absolute exemption from imprisonment in all cases, is inconsistent with every idea of law and political society; and in the end would destroy all civil liberty, by rendering it's protection impossible: but the glory of the English law consists in clearly defining the times, the causes, and the extent, when, wherefore, and to what degree, the imprisonment of the subject may be lawful. This induces an absolute necessity of expressing upon every commitment the reason for which it is made; that the court upon an habeas corpus may examine into it's validity; and according to the circumstances of the case may discharge, admit to bail, or remand the prisoner."

200 years ago--Article 1, Section 9, Clause 2: House of Representatives, Suspension of the Habeas Corpus

"It is, indeed, difficult for me, consistently, with the sincere and high respect which I entertain for the source from whence this measure originated, to express, in decorous terms, the hostility which I feel to the proposition. I am therefore disposed to consider it as an original proposition here; as a motion in this body to suspend, for a limited time, the privileges attached to the writ of habeas corpus. And, in this point of view, I am prepared to say that it is the most extraordinary proposition that has ever been presented for our consideration and adoption. Sir, what is the language of our Constitution upon this subject? 'The privilege of the writ of habeas corpus shall not be suspended, except when, in cases of invasion or rebellion, the public safety shall require it.' Have we a right to suspend it in any and every case of invasion and rebellion? So far from it, that we are under a Constitutional interdiction to act, unless the existing invasion or rebellion, in our sober judgment, threatens the first principles of the national compact, and the Constitution itself. In other words, we can only act, in this case, with a view to national self-preservation. We can suspend the writ of habeas corpus only in a case of extreme emergency; that alone is salus populi which will justify this lex suprema. And is this a crisis of such awful moment? Is it necessary, at this time, to constitute a dictatorship, to save the people from themselves, and to take care that the Republic shall receive no detriment? What is the proposition? To create a single Dictator, as in ancient Rome, in whom all power shall be vested for a time? No; to create one great Dictator, and a multitude, an army of subaltern and petty despots; to invest, not only the President of the United States, but the Governors of States and Territories, and, indeed, all persons deriving civil or military authority from the supreme Executive, with unlimited and irresponsible power over the personal liberty of your citizens. Is this one of those great crises that require a suspension, a temporary prostration of the Constitution itself? Does the stately superstructure of our Republic thus tremble to its centre, and totter towards its fall? Common sense must give a negative answer to these questions. What are the facts? Is it, indeed, a case of rebellion? We are officially informed that rebellion has reared its hydra front in the peaceful valleys of the West. But we are also informed by the Executive that treason has no prospect of success; that "the fugitives from the Ohio, and their associates from Cumberland, cannot threaten serious danger even to the city of New Orleans." Not a single city, still less a Territory or a State, is considered in danger; and the Executve, not only possesses all the information which has been communicated to us, but much more, for we are informed that the communication has been made under the reservation contained in the resolution requesting it, and of course all the facts in the knowledge of the Executive, which are decided to be improper for disclosure at this time, have been kept back. And the Executive, possessing all this information, assures us that the public safety is not endangered. Can we, under these circumstances, consent to the investiture of dictatorial powers in that department of the Government which thus assures us that all is safe? It would be contrary to the spirit of the Constitution."

Tuesday, September 26, 2006


Beckett and the Mets


"Beckett came to New York—once, in 1964, to work on a short film that he'd written called "Film", starring Buster Keaton, to be distributed by Rosset. He spent a hot summer week at Rosset's Houston Street townhouse, but did catch up with Dick Seaver, who, as it turns out, was second cousin to the future Hall of Fame pitcher for the New York Mets, Tom Seaver. Seaver (Dick, that is) helped Beckett beat the heat by taking him to a Mets doubleheader at Shea Stadium in Queens. "I tried to explain the rudiments of the game to him," says Seaver four decades late. "I also explained that the Mets were at the time a fledging team and pretty terrible." Beckett, known for his kinship to failure ("Try again. Fail again. Fail better."), found the miserable Mets to be perfectly enjoyable, so much so that he insisted they stay for the second game. Unfortunately, the Mets, rather improbably, won both games..."

Monday, September 25, 2006


via woodslot an interesting essay on Aestheticism and Loyalty: Basil Bunting's Response to World War II

"I criticize a machine by nearly the same criteria as I do a work of art. A Lee-Enfield rifle, a Hotchkiss machine gun, have nothing superfluous nor fussy about them. They are utterly simple - having reached that simplicity via complication and sophistication galore. The kind of people who, if they had literary minds at all, would like euphemism or trickiness, prefer Lewis guns or Remington or Ross rifles. My machine-gun is a Hotchkiss and I feel toward it something similar in kind to what I feel for Egyptian sculpture . I think Holbein or Bach or Praxiteles, as well as Alexander, would have appreciated a Hotchkiss gun..."

Sunday, September 24, 2006


Junco Partner


Two juncos, giddy & drunk with display
on the last available hookup day,
flew interlocking spirals toward the ground,
then with short hard strokes pivoted around
& flew to some pre-arranged and lofty space.
They did this in the dusty face
of burnt topsoil ("loamy slash") where
the little forest had been, hard against a bare
woodboard fence, so that everyone could see it.
By the fifth repetition their spiral was sweet--
if they'd have been eagles they could have locked feet--
until the last moment, a foot off the yard,
they parted as if pushed, not pivoting but hard
hard down for one two point landings in the dust.
After shaking off the landing, the bird just
beside the fence turned toward it, lowered its head
and ran under it, fast, towards the shed.
The other bird followed bam! then gone
and they footchased each other onto the lawn
for quite a few feet before turning south
toward the old alders behind the house,
a place where they would not be harassed--
with an odd, rolling gait, but really really fast.


(reworked from Spring 2005)


Tony Torn's engagingly nasty little horror comedy The Convention is online...


fine Steve Evans dissection of Free (Market) Verse


"Here’s how a glum four months of Kooser’s column parses out: A speaker observes an alienated couple as they dourly squirt Windex at each other’s faces from opposite sides of a pane they’re cleaning. A speaker assists minimally in the burial of an acquaintance. A speaker recalls buying red shoes for a woman who hasn’t been seen since. A speaker feels remorse for having a crippled piglet put down. A speaker observes a neighbor hauling bales to his barn as autumn descends. A speaker employs end rhyme to convince himself to give up booze. Biting into a potato, a speaker recalls his impoverished childhood. A speaker is reminded by moonflowers of her recently deceased mother. A speaker contemplates an elderly veteran in a parade. A speaker celebrates the arrival of spring. A speaker observes as a male peacock’s ostentatious display fails to interest a female intent on food. A speaker named after his grandfather feels his forebear’s presence while filling out forms and at supper. A tamed speaker recalls his youthful virility on the eve of his fortieth birthday. A speaker likens an elderly neighbor in a housecoat to a sunset. A speaker contemplates the life of an obsessive collector of Noah’s Ark images and trinkets. A speaker likens love to salt..."

Saturday, September 23, 2006






Some Nanaimo Trees


Every Simpsons Episode...no foolin'

(above "Lemon of Troy" Season 6, my personal favorite)


Expression of the Emotions in Man and Animals

"All the movements of a cat, when feeling affectionate, are in complete antithesis to those just described. She now stands upright, with slightly arched back, tail perpendicularly raised, and ears erected; and she rubs her cheeks and flanks against her master or mistress. The desire to rub something is so strong in cats under this state of mind, that they may often be seen rubbing themselves against the legs of chairs or tables, or against door-posts. This manner of expressing affection probably originated through association, as in the case of dogs, from the mother nursing and fondling her young; and perhaps from the young themselves loving each other and playing together. Another and very different gesture, expressive of pleasure, has already been described, namely, the curious manner in which young and even old cats, when pleased, alternately protrude their fore-feet, with separated toes, as if pushing against and sucking their mother's teats. This habit is so far analogous to that of rubbing against something, that both apparently are derived from actions performed during the nursing period. Why cats should show affection by rubbing so much more than do dogs, though the latter delight in contact with their masters, and why cats only occasionally lick the hands of their friends, whilst dogs always do so, I cannot say..."


the inimitable Eric Korn on Darwin's "Expression" & the used book market, etc.

"Darwin's books can be classified by smell. "A Naturalist's Voyage" smells of the rainforest, the barnacle books smell of formalin, the (strangely neglected) botany books like "Different Forms of Flowers on Plants of the Same Species" smell of the greenhouse, the earthworm book reeks of the compost heap and Darwin's Thinking Path at Down in autumn. "Expression" smells of the North Downs, and a man out walking his dog and his stick, chatting with pigeon fanciers, racing men and the occasional zookeeper, teaplanter or missionary on leave. How many miles from Down to Selborne? About three score and ten if you avoid the M25. A journey from 18th-century squire-naturalist to scientific biologist, and back again..."


Isaac D'Israeli on Literary Anecdotes

"In literary biography a man of genius always finds something which relates to himself. The studies of artists have a great uniformity, and their habits of life are monotonous. They have all the same difficulties to encounter, although they do not all meet with the same glory. How many secrets may the man of genius learn from literary anecdotes! important secrets, which his friends will not convey to him. He traces the effects of similar studies; warned sometimes by failures, and often animated by watching the incipient and shadowy attempts which closed in a great work. From one he learns in what manner he planned and corrected; from another he may overcome those obstacles which, perhaps, at that very moment make him rise in despair from his own unfinished labour. What perhaps he had in vain desired to know for half his life is revealed to him by a literary anecdote; and thus the amusements of indolent hours may impart the vigour of study; as we find sometimes in the fruit we have taken for pleasure the medicine which restores our health. How superficial is that cry of some impertinent pretended geniuses of these times, who affect to exclaim, “Give me no anecdotes of an author, but give me his works!” I have often found the anecdotes more interesting than the works."


oh won't you please crawl out of these Blonde On Blonde Outtakes

Friday, September 22, 2006


Hey kids, I'd like to do a little thing I wrote called “The Pressure of Reified Bourgeois Culture Incites Flight Into the Phantasm of Nature, Which Then Ultimately Proves to be the Herald of Absolute Oppression. The Aesthetic Nerves Quiver to Return to the Stone Age...”

Solid! Let's hear it for quiverin' caveman keys of Mr. Teddy Adorno!

(good review of Theodor Adorno's "Philosophy of New Music")


Brother XII's "House of Mystery"


Nanaimo's millennial cult--BROTHER XII AND THE AQUARIAN FOUNDATION

"Although idyllic in description, it was not long before tales of misappropriation of funds, tyranny, threats, sexual misconduct, psychological and physical abuse surfaced in a number of court cases. The main characters involved, Brother XII included, were all mature, educated, and serious students of esoteric subjects. They did not reflect the typical membership of a cult, at least as popularly conceived. They were neither young, unsophisticated, nor irresponsible individuals that joined but rather highly articulate and successful individuals, among whom was the novelist and short-story writer Will Levington Comfort. The outcome of this misadventure was ruined lives, people separated from their wealth, disillusionment, and the strange disappearance of Brother XII himself. All this happened between 1928 and 1933. Surely, this movement must be considered a direct precursor to modern cults..."


an interesting tunnel under the Literacy Nanaimo Bookstore amongst much at the immediately indispensable Things to do in Nanaimo

"Nanaimo's younger population often says that our city is boring. But only boring people get bored. Besides, there's a tonne of stuff to do around here, especially if you like being outside. Prefer to lounge about indoors? We've got a bit of that, too.

Check out our forum!

Our Nanaimo forum has all kinds of interesting local information, from artifacts that people have found, to an interesting tunnel, to our little game of posting local photos and letting people guess where the photo was taken ("Guess Where This Is?")..."

Thursday, September 21, 2006


the sixth issue of Tim Atkins' always excellent
onedit is up including work by Clark Coolidge, Sean Bonney, Tom Raworth, a translation of Queneau, etc, and "Edith & Enid", a golden oldie from Deanna Ferguson...



...Son, what boils your potatoes?

Butter out of reach, the aging out?

My feet, to his father said the boy

All long with burls and baked arches

My footprints back off where my too-close together eyes peruse

Light into wind, flight into dream

But my dogged, dog-eared, dog-goned hush puppies are dense out of fear

All alters raise shades to polyodorous fearfully

Father then loads up the old revolver

Bade us the recommensurate sea, reaches once more for it

Now, as I recall, he foretold our lot

A lot of pussy-piled cheats who feast on beer

"O curb, body, avert the curse. Alternate between hollowed-out and torn."

Enough weeping, long sobbed songs lobbed in vain...


celebrate fall with today's YouTube - THE KINKS - AUTUMN ALMANAC. I've said it before but someday I'd be very happy to write a line half as good as "From the dew-soaked hedge creeps a crawly caterpillar...."


From the dew-soaked hedge creeps a crawly caterpillar,
When the dawn begins to crack.
It's all part of my autumn almanac.
Breeze blows leaves of a musty-coloured yellow,
So I sweep them in my sack.
Yes, yes, yes, it's my autumn almanac.

Friday evenings, people get together,
Hiding from the weather.
Tea and toasted, buttered currant buns
Can't compensate for lack of sun,
Because the summer's all gone.

La-la-la-la...
Oh, my poor rheumatic back
Yes, yes, yes, it's my autumn almanac.
La-la-la-la...
Oh, my autumn almanac
Yes, yes, yes, it's my autumn almanac.

I like my football on a Saturday,
Roast beef on Sundays, all right.
I go to Blackpool for my holidays,
Sit in the open sunlight.

This is my street, and I'm never gonna to leave it,
And I'm always gonna to stay here
If I live to be ninety-nine,
'Cause all the people I meet
Seem to come from my street
And I can't get away,
Because it's calling me, (come on home)
Hear it calling me, (come on home)

La-la-la-la...
Oh, my autumn Armagnac
Yes, yes, yes, it's my autumn almanac.
La-la-la-la...
Oh, my autumn almanac
Yes, yes, yes, yes, yes, yes, yes, yes.

Bop-bop-bopm-bop-bop, whoa!
Bop-bop-bopm-bop-bop, whoa!

Wednesday, September 20, 2006


Animals Dream by Jerry Pethick


"The inter-relatedness of the component parts of the array work reflect an interest that has been developing for some time in my mind. The bee-hive like pattern (I later learned was referred to as hexagonal stacking) had always seemed to me to be a satisfying formulation of like parts, marbles on a tray, loose ball-bearings rolling together, BB pellets piling themselves in a box; the pattern, we would learn later, that made up the fly's eye, and the honey-comb. This last holds a fascination with the bees' social organisation, with its reduced individualism depending on the similar traits of component parts being of the same importance, same scale, same shape. The architecture of a society, the near order of swarming bees..."




Ravens over the house.


round-up of Books on Bees

"It may well be that in the face of the honey bee, obsession is the only sane response available, reassuring evidence of true perception. Consider, for instance, this brute fact: that 16-ounce honey bear in your pantry exists only because tens of thousands of bees flew some 112,000 miles in a relentless, unquestioned pursuit of nectar gathered from 4.5 million flowers. Every one of those foraging bees was female. By the time the life of each ended—they live all of six weeks during honey-making season—each bee flew about 500 miles in twenty days, the span each lives outside the hive..."


technical but interesting Tale of the Red-winged Blackbird: A Case Study of Varnish Removal from a Watercolor Painting

"Before proceeding with treatment, the conservators and curator asked several essential questions: Did the artist apply the varnish? Why was it applied and what was it composed of? Could the varnish be removed without damage to the watercolor below? Using various analytical techniques, answers to these questions began to unfold during further study of the painting..."


fine online version of 18th cent. illustrator Mark Catesby's Natural History of Carolina, Florida and the Bahama Islands

Tuesday, September 19, 2006


a gift from the city: a big jar of Galeffi Effervescente, with that beautiful Art Deco girl on the label, delicately preparing to make room for some espresso & biscotti...

A-O Canada


"From there, the Mounted Police asked that the couple be included in a database that alerts United States border officers to suspect individuals. The police described Mr. Arar and his wife as, the report said, “Islamic extremists suspected of being linked to the al Qaeda movement.”

The commission said that all who testified before it accepted that the description was false.

According to the inquiry’s finding, the Mounted Police gave the F.B.I. and other American authorities material from Project A-O Canada, which included suggestions that Mr. Arar had visited Washington around Sept. 11 and had refused to cooperate with the Canadian police. The handover of the data violated the force’s own guidelines, but was justified on the basis that such rules no longer applied after 2001..."


Didion on Cheney: The Fatal Touch

"Ultimately, I am the guy who pulled the trigger and fired the round that hit Harry," he managed, four days later, to say to Fox News in a memorable performance of a man accepting responsibility but not quite. "You can talk about all the other conditions that existed at the time, but that's the bottom line. It's not Harry's fault. You can't blame anybody else."

Like "it's not Harry's fault," which implied that you or I or any other fair observer (for example Katharine Armstrong, characterized by Cheney as "an acknowledged expert in all of this") might well conclude that it had been, "other priorities" suggested a familiar character wrinkle, in this case the same willingness to cloud an actual issue with circular arguments ("I complied fully with all the requirements of the statutes") that would later be demonstrated by the Vice President's people when they maintained that the Geneva Conventions need not apply to Afghan detainees because Afghanistan was a "failed state." What these tortured and in many cases invented legalities are designed to preclude is any acknowledgment that the issue at hand, whether it is avoiding military service or authorizing torture, might have a moral or an ethical or even a self-interested dimension that merits discussion.

This latter dimension, self-interest, which was the basis for John McCain's argument that we could not expect others to honor the Geneva Conventions if we did not do so ourselves, was dismissed by David Addington, at the time Cheney's legal architect, in the "new paradigm" memo he drafted in 2002 to go to the President over White House Counsel Alberto R. Gonzales's signature. "It should be noted that your policy of providing humane treatment to enemy detainees gives us the credibility to insist on like treatment for our soldiers," the memo read, sliding past a key point, which was that the "new paradigm" differentiated between "enemy detainees" and "illegal enemy combatants," or "terrorists," a distinction to be determined by whoever did the detaining.

Moreover, even if GPW [Geneva Convention III Relative to the Treatment of Prisoners of War] is not applicable, we can still bring war crimes charges against anyone who mistreats US personnel. Finally, I note that...terrorists will not follow GPW rules in any event.
This is not law. This is casuistry, the detritus of another perfect storm, the one that occurred when the deferments of the Vietnam years met the ardor of the Reagan Revolution..."

Land of the Tortured

"So why is the Bush administration so determined to torture people?

To show that it can..."

Monday, September 18, 2006


new LBJ bio...


"To sum up the ironic ending to Johnson's career, Woods quotes the columnist Charles Roberts: "The most militant civil-rights advocate ever to occupy the White House, reviled by Negro militants; a Southerner scorned by Southerners as a turn-coat; a liberal despised by liberals despite the fact he achieved most of what they sought for thirty years; a friend of education, rejected by intellectuals; a compromiser who could not compromise a war ten thousand miles away.""




interview with writer/director Rian Johnson whose high school noir "Brick" was one of the most accomplished first films I've seen in a while. The conceit of having high schoolers addressing each other in tough-guy patois could have gone very, very wrong but Johnson and his crew play it straight and with utter conviction, and the use of the San Clemente locations (including the actual high school Johnson attended) is inspired. A name to watch.

Saturday, September 16, 2006


Dick Avenue


South Wellington Road






L'Enfant

Tough to find your center
in Seraing in the winter
as Vinegar Joe drones CNN
the sublet won't even let your hand in--
but all God's children get a handbasket
a task, a handcart, a pot to piss in
& maybe a glimpse of a river masking
the smell d'argent with the reek of its absence--
we're all neo-realists, all sleek & handsome,
except for the babies pawned or ransomed
for cellphones & a wagon pushed through the wind,
like a masterless cub sans sword to spend
each day in the open and each night in a hole,
the leafless damp canyons a kind of parole.

Friday, September 15, 2006











Schoolhouse Road Three









Harold Road









Schoolhouse Road Two









Schoolhouse Road One

Thursday, September 14, 2006




"Then he began to think that if afew picked men should band themselves together; and if, to natural wit, and education, and money, they could join a fanaticism hot enough to fuse, as it were, all those separate forces into a single one, then the whole world would be at their feet. From that time forth, with a tremendous power of concentration, they could wield an occult power against which the organization of society would be helpless; a power which would push obstacles aside and defeat the will of others; and the diabolical power of all would be at the service of each. A hostile world apart within the world, admitting none of the ideas, recognizing none of the laws of the world; submitting only to the sense of
necessity, obedient only from devotion; acting all as one man in the
interests of the comrade who should claim the aid of the rest; a band
of buccaneers with carriages and yellow kid gloves; a close
confederacy of men of extraordinary power, of amused and cool
spectators of an artificial and petty world which they cursed with
smiling lips; conscious as they were that they could make all things
bend to their caprice, weave ingenious schemes of revenge, and live
with the life in thirteen hearts, to say nothing of the unfailing
pleasure of facing the world of men with a hidden misanthropy, a sense
that they were armed against their kind, and could retire into
themselves with one idea which the most remarkable men had not,--all
this constituted a religion of pleasure and egoism which made fanatics
of the Thirteen. The history of the Society of Jesus was repeated for
the Devil's benefit. It was hideous and sublime..."



from Balzac's introduction to The Thirteen ("The Girl With the Golden Eyes" is one of the stories)


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My sole purchase from the shelves of the overstuffed junk store on Milton (where Sun-Glo Lumber used to be, around the corner from my "Gin & Lime" apartment on Hecate) was the 1946 Viking Portable Alexander Woollcott (that's him above with his best friend Harpo Marx) 700 pages of the most forgotten of the Algonquins (Parker stays in print but several of her best lines are his) but so far it looks pretty funny & there's a whole special set of morbid frissons to be found in the perusal of outmoded popular texts. The book--hard linen cover, smaller than Portables became, with really good paper for just postwar--is a discard from the North Cowichan Elementary School Library, an old old discard, done with so many precise but impenetrable ink erasures that the identity of the school is revealed only once, in a small spot the librarian must have missed. But at what point were the doings of Mrs. Astor & Billie Burke considered the proper province of young minds in North Cowichan? The book is limp with use at any rate, so perhaps it acted as inspiration for a hard-drinking, sarcastic junior mid-Island smart set in the early 50's. But at some point the pearls and cigarette holders weren't cutting it anymore & the discard stamp just confirmed what everybody knew...



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certainly looking forward to seeing the North American premiere of Out 1: Noli me tangere...may need to dig out that Balzac first...


"Never before seen in North America and only screened once previously with English subtitles-at the British Film Institute this past April-Jacques Rivette's legendary phantom film has finally been let out of the vaults. If you'd like to tackle this epic in sections, Out 1 will screen again in its entirety at the Vancity Theatre during the Vancouver International Film Festival on September 30 and October 1, introduced at that time by film critic and Rivette expert Jonathan Rosenbaum. See the VIFF program guide for details. "A movie equivalent of reading Proust or watching the Ring cycle...In the annals of monumental cinema there are few objects more sacred than Mr. Rivette's 12 1/2-hour Out 1: Noli Me Tangere...Shot in the spring of 1970, this fabled colossus owes its stature not just to its immodest duration but also to its rarity. Commissioned and then rejected by French television, the film had its premiere on Sept. 9 and 10, 1971, at the Maison de la Culture in Le Havre before receding into obscurity. Hoping to salvage a version for theatrical release, Mr. Rivette, now 78, whittled down his eight-episode, 760-minute serial into a 255-minute alternate cut, which he called Out 1: Spectre. Spectre has been difficult but not impossible to see. [It will screen at a Pacific Cinematheque Rivette retrospective in March.] Noli Me Tangere, meanwhile, has become a true phantom film whose reputation rests on its unattainability. Its title (Latin for 'touch me not') seems to predict its fate: an apt one, given that many of Mr. Rivette's films are predicated on obsessive and perhaps futile quests... Among other things, Out 1 concerns the parallel efforts of two theater companies to put on Aeschylus plays. Two oddball loners (Jean-Pierre Leaud and Juliet Berto) separately circle the groups. Characters change names and reveal secret identities. Living Theaterish rehearsals go on for ages. Connective tissue fills in, only to fall away. Mr. Leaud's character is the thickening mystery's self-appointed detective, fixated on cryptic messages about a 13-member secret society, a subplot that Mr. Rivette borrowed from the Balzac suite of novellas History of the Thirteen. Building on his improvisational experiments of L'Amour Fou (1968), Mr. Rivette worked without a script, relying instead on a diagram that mapped the junctures at which members of his large ensemble cast would intersect. The actors came up with their dialogue; the only thing Mr. Rivette actually wrote were the enigmatic notes Mr. Leaud's character receives...Mr. Rivette's fondness for shadowy conspiracies and paranoid fantasies, which owes a debt to Balzac and the sinister daydreams of the silent-era serialist Louis Feuillade, dates to his first feature, Paris Belongs to Us (1960). With Out 1 he found the perfect match of form and content, an outsize canvas for a narrative too vast to apprehend. In a 1973 interview Mr. Rivette described the film's creep from quasi-documentary to drama in ominous terms: the fiction 'swallows everything up and finally auto-destructs.'" -Dennis Lim, The New York Times"


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Patricia back door, Haliburton. Posted by Picasa


Off Haliburton. Posted by Picasa


Trabi smash. Posted by Picasa


a visit to the Kendal Mint Cake factory


"In theory a trip to a sweet factory is a dream for someone with a sweet tooth as prominent as mine but with menthol induced runny eyes, the Willy Wonka fantasy is somewhat clouded...


...New York customs barred Kendal Mint Cake on the grounds that products labelled 'cake' should have flour in them, and a ship load of the product was dumped in the Atlantic in the 1950�s...."

leading to a unexpected minty breeze over the Kill Van Kull...





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thanks BF for pointing me to an online version of Walt Whitman disciple Horace Traubel's massive conversations-with-Goethe like "With Walt Whitman in Camden"--

from Sept 14th, 1889


"Harned mischievously questioned W.: "Are you not the friend of Unitarians, Walt?" For the instant W. misunderstood him--supposed he asked, "Are you Unitarian?""No--Tom--I don't know why I should ask or accept the name." But when T. explained, added: "O yes, that--why not? I am the friend of all. It was the Hegelian idea, principle, that all are needed--that all are part of the whole--and so I should insist, all belong in their places--none can be dismissed--Catholic, Quaker, Mormon, Freethinker--even the Unitarian! I cannot be this or that, but I can recognize this or that. I know of no school in this, our day,--not Gladstone's, Henry George's, any other--who offers anything adequate--anything that would land us at the goal, any more than the present system. We old fogies, in the absence of fire, health, solace ourselves with clinging to what is--with not making ventures any longer. Yet I like the sects--I feel of them as a doctor [does] of pimples on the face--it is better for them to come out than to be hidden underneath the exterior--a hundred percent better. Pimples are a thing we can fight, but insidious hidden processes defy battle." And again: "A great city--London, for instance--would typify our present condition--the prevailing tone, what-not--of our civilization--the religious aspect: London is not made up of one man but of several millions of men--so our universe--so religions. Some people see a decadence in the present troubles--what I call our intestinal troubles but then we do not--do not believe in decadence. It was Mrs. Gilchrist's favorite expression--when she looked out on this surging seething man--that we were all going somewhere--not only that, but somewhere good. And I believe it.""It is true there is plenty of bad in the human critter--we all agree to it--he is a bad lot, as Tennyson's farmer puts it--but that is not the whole of him: he is not all or only what Carlyle paints of him." Harned quoted Emerson, to the effect that to find a man trustworthy, you must trust him. W. said fervently: "That's it--that's the whole story. It's the story over again of my woman friend in Washington who complained that whereas her sister, who distrusted nobody, had no locks and keys for drawers, no mysteries, no securities, was never robbed, she, who was so careful, padlocked and keyed everything, was careful of all her goings and comings, was continually losing,--being robbed, taken advantage of." Again: "After all, I wish well to all reformers. And besides, there's no danger of a dearth of them in our age--our age, on the contrary is full of Henry Georges, temperance, other reformers--all with panaceas. And for an old fogy like me to doubt a little can do no harm. There is an embarrassment of riches in reform..."


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Wednesday, September 13, 2006


if you can't wait--YouTube - The Big Shave - 1967
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a nice mess of short films this Friday on TURNER CLASSIC MOVIES including Kubrick's "Day of the Fight" and Scorsese's "Big Shave"...

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nice to see Tony-nominated Amy Ryan--so memorable in A & E's "100 Centre St." a few years back as Alan Arkin's troubled daughter-- in the role of harbour cop Beatrice "Beadie" Russell in the second season of "The Wire". Also the feeling, watching that show, that if you see a good actor you can rest assured they'll be given something interesting to do...

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Tuesday, September 12, 2006



Harold Innis: An Intellectual at the Edge of Empire (Mel Watkins)

"The colony, Canada, has no more than moved in formal terms from colony to nation, when Innis sees the dark side of it being turned, back, into a neo-colony. He fears that the increasing efficacy of modern metropolitan media is making indigenous intellectual creativity at the margin less possible. His vision, like George Grant's, foresees Canada's failed potential, and sees that fate as a manifestation of the increasing threat to the intellectual, not only in Canada but generally. At its darkest, he envisages the modern intellectual, as in the ancient aphorism, having "insight into much and power over nothing..." "

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Monday, September 11, 2006


from the 1947 Brick Bradford movie... Posted by Picasa


Brick Bradford & The Time Top

"As the title suggests, it involved a top-shaped vehicle vehicle that could travel in time--beating out Doc Wonmug's device in "Alley Oop" by more than four years, as the first regularly appearing time machine in comics. This series lasted only a couple of months but it wasn't forgotten--On Oct 17, 1937, the Time Top became a regular part of Brick's Sundat adventures. Whereas Oop's time travelling was limited to the past, Brick mostly visited the future. Thus, the entire cosmos became open to him..."

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Loading bay. Posted by Picasa


Venables sign. Posted by Picasa


the late Jerry Pethick's magnificent, valedictory Time Top has landed in False Creek...

"It was Pethick's poetic conceit that the fictional Time Top was real and had been recovered from the ocean floor, a relic of both the past and the future. He was interested in using his sculpture to evoke a childlike sense of wonder by creating an enigmatic object that could transport its viewers into another realm of awareness. "The idea of form transmitting something other than material context encourages a fresh perception," he wrote."


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Harbour Park. Posted by Picasa


Clark Balcony. Posted by Picasa


Bush. Posted by Picasa


Beach volleyball under the Cambie St. bridge. Posted by Picasa


hobo nickels, wooden nickels, hell money, sealskin money & much else at Pennylicious

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Thursday, September 07, 2006



"From the time he had shoes, he roamed the neighborhood."

--Nik Cohn "Tricksta: Life and Death and New Orleans Rap"


Defective and partly invisible
as the pagination of a yellow thesis
loosening like dream-teeth
or niblets blackening on the grill--
a study of piracy as much as trade,
of simony as much as privacy,
of property as much as specie,
thus an alum farmer of Yorkshire
is exempted from impressement
by the same principle as sugar bled
from a tree implies crystallisation,
not seeing its fate in the sticky Smitty's window
the summer not quite even over.

For the monthly purpose
of re-upping the state of emergency and toward
the interpretation of shipwrecks
we will assemble in this playhouse
by the light of a gibbous moon--
and not a crumb or shred or maccaroon
of what is said will leave this room...

Alka-seltzer stars scattered on blue felt,
the good warm smell of a dog smoking a cigar
with Lady Luck and her 52 imaginary friends
found curled in the ditches with coffee ends,
no one wants the burnt dregs of the last car
with a hole burnt through or to eat their phone.
Everyone just wants to go home.






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Parkway four. Posted by Picasa


Parkway three. Posted by Picasa


Parkway two. Posted by Picasa


Parkway one. Posted by Picasa


informative piece on Humphrey Jennings & Mass Observation--

"In a 1938 radio talk, Jennings had suggested it was no accident that the search for the meaning of everyday life led to history. "Mysteries reside in the humblest everyday things," he said; they are a kind of legacy, and the poet, by examining them, can extract "an idea of 'what I am' from the past." To share this discovery, he relates it to contemporary experience, "the things that the community knows about, the things that they're interested in." Jennings cited, as an example, "The Waste Land," in which Eliot represents the past as a Christopher Wren church and the everyday as a pub in Lower Thames Street. The poet has to love both in order to connect them, Jennings insisted; "Everything else is snobbery." "


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Monday, September 04, 2006


Pluto stays put in Maine's solar system

Driving south, it's hard to miss large planets like Jupiter, which is 5 feet in diameter and weighs close to a ton. The solar system ends 40 miles later with tiny Pluto, only 1 inch in diameter, mounted on the wall of a visitor information center.

"We're not planning on taking down Pluto," said McCartney...

...If astronomers keep discovering new dwarf planets, McCartney conjectured, the solar system model could one day stretch all the way down the coast."



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Sunday, September 03, 2006



A Letter From Hammertown


Only the densest
dentist insect overtones
dare drop into the valley

from the Sunday construction
so impatiently at ten begun above
though the rate of such things

varies more than you'd think:
some build as if session men
called out by the union

to short time the undergrowth
for the X-box simulation
of the Birth of Skiffle, others

as if flown in on Blackhawks
to build an interrogation centre
five days ahead of the army--

outward facing polished tin walls to
conduct heat, spirit animals
laminated into every post for

low grade hallucination
when the Redbull & castor oil
kick in--others as if alders were

closing in with a green man's leering
face and that aggregate should
be poured down his throat right now.

Over in Townsite
evolved sparrows turn into lawn
ornaments at will &

the sleepy subsonic rumble
of Chase River thru the park is
unbroken either by the snap of skateboard

veronicas or the dream-
speech of dogbarks & east of that
the Kingdom of the Cranes and Spiders

occupies the Arena
where Fats Domino once stood
where the roll of the Second Line

& the two-four of the bass drum
echoed from the Foundry
across Newcastle Channel.



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new EP from Colleen

"We started to record the music boxes but things turned out differently from what I had expected; the melodies weren't that interesting and were actually quite cheesy. And then I happened to bend and stroke the comb (the music box is basically like a rolling pin, kind of like a big pin full of small staples or spikes and they're the ones that, when the pin turns or revolves, lift the blades from a metal comb) and, struck by what I heard, started to experiment with the comb itself. When played manually with my thumbnails or with the glass harmonicum's small mallets, a very rich sound is produced that's reminiscent of gamelan, marimba, and glockenspiel, and all sorts of sounds mixed into one. I recorded some really old and battered music boxes and some of my own which are either hand-cranked or mechanical; I also used a componium, a music box into which you feed strips of paper that you punch yourself, like a player piano."


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reconsideration of Leszek Kolakowski

"Those who cheer the triumph of the market and the retreat of the state, who would have us celebrate the unregulated scope for economic initiative in today's "flat" world, have forgotten what happened the last time we passed this way. They are in for a rude shock (though, if the past is a reliable guide, probably at someone else's expense). As for those who dream of rerunning the Marxist tape, digitally remastered and free of irritating Communist scratches, they would be well-advised to ask sooner rather than later just what it is about all-embracing "systems" of thought that leads inexorably to all-embracing "systems" of rule..."

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Saturday, September 02, 2006


"Crane" by Sylvia Matas, one of an interesting group of artists at the Winnipeg based Other Gallery
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The Crock of Appeasement

"Taken seriously, the doctrine of "no appeasement" on the right would mean we are stuck in perpectual war, always doomed to be on the offensive, always dedicated to gobbling up more of other people's territory and wealth even at the expense of living in constant dread of being blown up and being forced to give up the civil liberties which had made American civilization great.

It would never be possible to negotiate a truce with any enemy. That would be appeasement. It would never be possible to compromise. That would be appeasement. It would never be prudent to withdraw troops from a failed war. That would be appeasement. In other words, the rightwing doctrine of "no appeasement, ever" actually turns you into Hitler rather than into Churchill.

But we are anyway not stuck perpetually in the late 1930s, and it is not the only exemplary period in history to which we can resort for our metaphors and our courses of action.

The Iraq crisis, for instance, is clearly an odd sort of neocolonialism, which can only ultimately be resolved by decolonization. Decolonization in the 1950s and 1960s was also denounced as "appeasement," but it was the only right course..."


Anger Wells Up in Dry Tofino

"In a press conference today, Tofino mayor John Fraser said that his long-term management strategy was to "hope for rain." "


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Must Read


"What we have watched unfold for a few decades, I have argued, is a broad reversion to 19th-century political form, with free-market economics understood as the state of nature, plutocracy as the default social condition, and, enthroned as the nation’s necessary vice, an institutionalized corruption surpassing anything we have seen for 80 years. All that is missing is a return to the gold standard and a war to Christianize the Philippines..."


Il Conformista

A tentative big toe
dipped in the Cold Lake
of rapture but as short
of real immersion as
the old army game,
balls dropping unnoticed
into the back pant pocket
or something like that--
an argument bolstered
by mere proximity (clack) is
the reassertion
of a dialectic that
never was, that
between looking
for something &
just looking, say
Dominique Sanda
as sleek as a panther
which I then didn't get
favoring the pale brunette,
but the desire, however
"gripped", that links
junkie, riot, sugarcone,
the washed away &
the washed out is
what muscles us up
for Mussolini, the
"primal scene" in that sense
comes free with every
Kodak. That's why
its called "software".




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Friday, September 01, 2006




Poem for Tofino

At six o'clock
inside the Moose Hall
the first spaghetti
supper of the fall:
a word or thought
experiment gone awry
& the whole of Tuff City
went boneless dry; as
boilers and radishes
barged Alberni Canal
they found out the acquifer
was not their pal.
From Bremen they came,
zucchini kayak and a dream--
of walking sticks
with little badges
avocado wraps
with nothing added--
not to be told
to dig their own hole.
We voted you in
because we didn't need you--
we should have checked
your leaning lean-to--
& now the dew's bribed
off the lawn & from
infant eyes the tears
are drawn, the Empire's
here but the water's gone.

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don't miss Bertolucci's best movie "The Conformist" on TURNER CLASSIC MOVIES tonight & some good stuff all week including Frances Farmer in "The Toast of New York", Anthony Mann's epic "The Fall of the Roman Empire", Don Siegel's "Charley Varrick", Fellini, Dreyer, Bergman &c &c...

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amongst "Crusade" reading just finished Karen Armstrong's "Holy War" and am looking forward to Christopher Tyerman's God's War, which has apparently supplanted the mighty Sir Steven Runciman's three-volume account, which put the "gist" in magisterial. Runciman's 2000 Telegraph obit is worth printing in full both as the record of an an amazing life and a priceless example of that paper's ownership of the genre (slipping a little lately though--I noticed they had Glenn Ford as the good guy in "Yuma" yesterday, tsk)--



Sir Steven Runciman

SIR STEVEN RUNCIMAN, who has died aged 97, was the pre-eminent historian of the Byzantine Empire and of the Crusades; he was also a celebrated aesthete, gentleman scholar and repository of the civilised values of Edwardian times.

His magnum opus was the three-volume A History of the Crusades, published
between 1951 and 1954. In its preface Runciman set out his credo, one that
derived from Gibbon, and stressed the claims of grand narrative over narrow
analysis: "I believe that the supreme duty of the historian is to write
history, that is to say, to attempt to record in one sweeping sequence the
greater events and movements that have swayed the destinies of man."

For Runciman, the Crusades were not romantic adventures but the last of the
barbarian invasions, albeit ones that brought about the dominance of Western
civilisation. His opinion was partly determined by his sympathy for the
Byzantine Empire, often at odds with the Crusaders and an oasis of culture
surrounded by unappreciative savages.

It was a condition with which he identified. His prodigious work on a
culture previously damned as effete was largely responsible for the
blossoming of Byzantine studies in Britain.

His view of the historian's task - and his belief that one writes to be
read - demanded that he aim as much at a non-specialist audience as at
fellow academics. His lucid style was admirably suited to this, with a
simplicity and dispassion that had been the ideal of Byzantine
iconographers. The popular success that his books enjoyed showed that others
too came to enjoy the labyrinthine complexities of Levantine history.

They had in Runciman a surefooted guide who could render the past visible
and familiar, as in a memorable description of the messianic Peter the
Hermit - "his long, lean face horribly like that of the donkey he always
rode".

James Cochran Stevenson Runciman was born in Northumberland on July 7 1903. He was the second son of Walter Runciman, a member of Asquith's cabinet, and the grandson of a shipping magnate, Lord Runciman.

Steven's father was created Viscount Runciman of Doxford in 1937 and the
next year led the mission that persuaded the Czech government to make
concessions to Hitler.

Steven's mother was the first woman to take a First in History at Cambridge
and the first wife of an MP also to secure a seat in the Commons. Steven
breathed a rich mixture of political gossip (he would go on to meet all but
three of the 20th century's Prime Ministers).

One of his first memories was of waiting for suffragettes to carry out their
vow to break the windows of the houses of Cabinet Ministers. With their
afternoon walk imminent, Steven and his young sister inquired of the two
burly ladies waiting outside when their protest would begin, since they were
anxious not to miss the fun. The campaigners left in a huff, and the
Runcimans' was the only house left undamaged that afternoon.

Steven could read Latin and Greek by the time he was six. He was a frail
child, with a shyness that he learned to hide but never overcame. In 1916 he
went to Eton as a King's Scholar; the future George Orwell was in the same
election. In his first year, however, Runciman grew seven inches and his
worried parents kept him at home for much of the remainder of his
schooldays. He passed the time reading history books.

Consequently, when he did see his teachers he thought them ill-informed. "I
wish this boy was kinder to me," read one master's report.

In 1921, Runciman went up as a History scholar to Trinity College,
Cambridge. There he found in the fashionable pose of aesthete a mask for his
diffidence. Among those invited to take roseleaf jam in his rooms - home to
a large green parakeet named Benedict - were two other beautiful young men,
the aspiring arbiters of taste Stephen Tennant and Cecil Beaton.

Beaton hastened to copy Runciman's liking for Fair Isle sweaters and used
him as one of his first models, photographing him with a budgerigar on his
finger.

Runciman took every opportunity to travel, visiting Istanbul for the first
time in 1924. There he was told by a gypsy, correctly, that he would have
several illnesses but live to a ripe old age. Runciman had a lifelong
fascination with the supernatural (and the naturally superior); he later
read the tarot for King Fuad of Egypt and became court fortune teller to
King George II of the Hellenes.

On graduating in 1924, Runciman approached practically the only scholar then
interested in Byzantine studies, J B Bury, and asked to be his pupil. Bury
initially refused, relenting only when he learned that Runciman could read
Russian; he promptly thrust articles in Bulgarian at him and told him to
come back in two weeks.

Later lessons proved difficult to arrange, as Bury's overprotective wife
took the precaution of burning all letters addressed to him. Runciman was
reduced to waylaying Bury during his daily walk along the Backs.

Runciman's dissertation on a 10th-century Byzantine emperor secured him a
Fellowship at Trinity in 1927, and provided material for his first two
books, The Emperor Romanus Lecapenus (1929) and The First Bulgarian Empire (1930).

His researches had, however, been interrupted by pleurisy, and in 1925 he
recuperated by sailing to China. In Peking, he was summoned to play piano
duets with the ex-Emperor, Henry Pu Yi, who told him that he had chosen his
forename out of fondness for the Tudors; his chief concubine, whom he hated,
was named Bloody Mary.

When Runciman returned to Cambridge, he found that the college servant with
whom he had boarded his parakeet refused to relinquish the bird, telling him
sternly: "Polly likes it here."

Runciman taught at Cambridge until 1938 and was fondly regarded by his
students, among them Noel Annan and Guy Burgess. He also continued to travel widely, collecting people and places. His charm brought him friends that
included George Seferis, Benjamin Britten and Edith Wharton, while his taste
for exalted company brought encounters with, among others, the royal houses
of Bulgaria, Romania, Siam and Spain.

He saw much of the world before it subscribed to a uniform culture. In 1934
he visited Bulgaria, encountering the Istanbul-bound Patrick Leigh Fermor,
and on the way back from Mount Athos, Greece, in 1937 helped to deliver a
baby. It was, he said, "a sight no innocent bachelor should see".

In Siam he saw a ghost, which dissolved before his eyes, but missed lunch
with Bao Dai when the young ruler of Vietnam broke his leg playing football;
"not," thought Runciman, "a suitable pastime for an Emperor."

During the Holy Fire ceremony in Jerusalem at Easter 1931, he and Princess
Alice, who were seated in a gallery, amused themselves by dropping molten
wax from their candles on to the bald patch below of the unpopular garrison
commander; the irate soldier was the future Field-Marshal Montgomery.

In 1937 Runciman inherited a substantial sum from his grandfather. This gave
him the freedom to surrender his Fellowship and concentrate on writing
books. When the Second World War broke out, he was recovering from severe
dysentery and his health meant that he was only offered the untaxing job of
censoring letters written by the Army's Cypriot muleteers. Burgess got him a
job instead with the Ministry of Information and he was soon back in
Bulgaria as press attache.

Runciman always denied that he had in fact been a spy there, but in the
records of the Italian Secret Service, which fell into British hands, he was
rated "molto intelligente e molto pericoloso".

In 1941 the Germans advanced on Sofia, and Runciman narrowly escaped death when a bomb exploded in the Istanbul hotel to which he had been evacuated.
The device, concealed in the embassy luggage, had been set to explode aboard
the train from Sofia; but the train reached Istanbul an hour early, and the
bomb killed eight people in the lobby as Runciman was inspecting his room.

In 1942 Runciman was appointed, at the Turkish government's request,
Professor of Byzantine Art and History at Istanbul University. There he
researched his history of the Crusades. Having used his diplomatic contacts
to smooth the accession of the young leader of the order, he was also made
an honorary Whirling Dervish.

From 1945 until 1947 Runciman headed the British Council in Greece, and from 1960 until 1975 he was President of the British Institute of Archaeology at
Ankara, but after the war he concentrated principally on his writing.

Among his later books was his only excursion into modern history, a
biography of the White Rajahs of Sarawak commissioned by the Colonial
Office, but more notable were The Fall of Constantinople, 1453 (1965) and a
compelling analysis of the massacre in 1282 that ended Charles of Anjou's
hopes of controlling the Mediterranean, The Sicilian Vespers (1958).

His study of dualist heresies, The Medieval Manichee (1947), remains a
standard work, while Byzantine Style and Civilisation (1975) is an exemplary
introduction to the subject.

Although he disliked public speaking, Runciman took up many requests to give
lectures so as to see new places, especially in America. In Alaska in 1970
he visited Eskimos who still followed the Russian Orthodox rite, and at Las
Vegas when he played the slot machines he twice hit the jackpot.

Runciman later became fond of the sunshine of Bahrain, but Greece remained
his first love. He was chairman of the Anglo-Hellenic League (1951-67), and
was instrumental in restoring the ill-maintained grave of Rupert Brooke on
the island of Skyros.

He was much honoured by the Greeks, who named a street after him in the
well-preserved Byzantine town of Mistras. He also became Grand Orator of the
Greek Church, historically the senior lay member of the Patriarch's synod.

For many years he kept a house in St John's Wood, London, where he gave
garden parties, but after he and his brother sold the island of Eigg, which
they owned, in 1966, he made his base a peel tower in Dumfriesshire.

There he kept hens and an excellent collection of drawings, including
sketches of Greece by Edward Lear. He was a Councillor Emeritus of the
National Trust of Scotland.

His partial memoirs, A Traveller's Alphabet (1991), recalled places he had
visited from Athos to Zion, but revealed little of himself. In person he
possessed courtesy, wit and culinary skill, and could, when treated as the
fusty academic that he was not, deploy an armoury of filthy stories. Four
hundred guests came to his 90th birthday party; his cake took the shape of
the greatest of all Byzantine churches, Hagia Sophia.

In 1999, he presented the London Library (of which he was the
longest-serving life member) with a much needed new lift. A plaque within in
it bears his name and the Latin inscription Plurimi pertransibunt et
multiplex erit scientia (the Vulgate version of Daniel xii 4: "Many shall
run to and fro and knowledge shall be increased").

Earlier this year, aged 97, he made a final visit to Mount Athos to witness
the blessing of the Protaton Tower at Karyes (the capital of the monastic
community), which had been refurbished thanks to a gift from him.

Steven Runciman was knighted in 1958 and appointed a Companion of Honour in 1984. He was elected a Fellow of the British Academy in 1957.

He remained a bachelor, but liked the idea of marrying an elderly Spanish
Duchess in order to become a Dowager Duke; the title, he felt, would have
rather suited him."




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