This film is tricky to describe: is it a boat study, a film-poem, an experiment, a picture postcard? One thing is certain: it's a rare colour snapshot of the Thames and London in the 1930s - and it looks quite magical.
Its artistic qualities may look a bit old-fashioned to us today; the slow pace, orchestral music and moody colours definitely belong to a bygone era, strikingly peaceful and undemanding. Yet colour film was still a novelty for audiences in 1935, and the photography (using the new Gasparcolor system) succeeds in accentuating the sharp contrast between the vivid green banks of the countryside and the drab tones of the industrial landscape. (Sonia Genaitay)
To lie in kilns and barns at e'en, When banes are craz'd, and bluid is thin, Is doubtless, great distress!
Yet then content could make us blest; Ev'n then, sometimes, we'd snatch a taste Of truest happiness. The honest heart that's free frae a' Intended fraud or guile, However Fortune kick the ba', Has aye some cause to smile; An' mind still, you'll find still, A comfort this nae sma'; Nae mair then we'll care then, Nae farther can we fa'...