Tuesday, April 12, 2011

Heel & Toe To The End

Gagarin says, in ecstasy,
he could have
gone on forever

he floated
at and sang
and when he emerged from that

one hundred eight minutes off
the surface of
the earth he was smiling.

Then he returned
to take his place
among the rest of us

from all that division and
subtraction a measure
toe and heel

heel and toe he felt
as if he had
been dancing
 

William Carlos Williams




Yuri Gagarin

Thursday, April 07, 2011

Wednesday, April 06, 2011

Kinski's Jesus Christ 1/9 [Eng.Subs.]


out & about (Shasta is wearing a T-shirt to protect her stitches as she's healing from a recent stick-related injury--she's almost all better now)

Tuesday, April 05, 2011

Monday, March 28, 2011


Luc Sante reviews Geoff Dyer the quick-change artist
...Which is to say that instead of being agglutinations of data, his works are characterized by the fact that they are writing—that their insights and their expression are inseparable and maybe indistinguishable. They are the opposite of Wikipedia: By design, they tell you as much about the author as about the ostensible subject. It's like with music—you want the voice before you want the song, don't you? Or do you just indifferently punch up any old cover of "Moon River" and that's good enough? Likewise, with a writer such as Dyer (and there aren't too many in his league), what you dig is interpretation, in its several senses: exegesis, and profound internalization of a subject, and a thorough imaginative remaking of that subject...'

Thursday, March 24, 2011


Who Would Dare? by Roberto Bolaño
I remember the edition: it was a book with very large print, like a primary school reader, slim, cloth-covered, with a horrendous drawing on the jacket, a hard book to steal and one that I didn’t know whether to hide under my arm or in my belt, because it showed under my truant student blazer, and in the end I carried it out in plain sight of all the clerks at the Glass Bookstore, which is one of the best ways to steal and which I had learned from an Edgar Allan Poe story...

The Quintessentially Victorian Vision of Ogden’s “The Wire”

If at any time besides its treatment of Templeton The Wire flirts
with caricature, it does so in the character of Omar Little.  Yet no
one would ever reduce such a monumental culmination of literary
tradition, satire, and basic human desire for mythos as Omar
Little by defining him as mere caricature.  Little is not Dickensian. 
Nor is he a character in the style of Thackeray, Eliot, Trollope, or any
of the most famous serialists.  If he must be compared to characters in
the Victorian times, he most closely resembles a creation of a Brontë;
he could have come from Wuthering Heights...