Tuesday, December 30, 2003
Monday, December 29, 2003
Sunday, December 28, 2003
Reading & Writing: " I discovered Lenny Bruce in my late twenties--just out of grad school & dirt-poor in Seattle, I read How to Talk Dirty & Influence People with a growing realization that Bruce was my century's Whitman, a poet who took democracy seriously. I've since had the opportunity to listen to recordings of Bruce in performance & my initial reaction is confirmed: Lenny Bruce was our first performance poet. He's ahead of David Antin & Patti Smith. Whitman broke through, Bruce broke through. Neither spared himself embarrassment. I think, for myself, after a decade of intimidation by language poets on one side & new freaking formalists on the other, I may have found my way forward in this particular lineage. I won't call it a tradition. There is a radical middle in American poetry (& politics, by the way) that often is confused with middle-of-the-road, but the confusion is a symptom of sloppy thinking (& political manipulation): pray you avoid it. The dominant culture is busy turning the radical--or its images--into the mainstream; it has to be the business of artists to resist the process & to reinvent the images when they have been drained of their juice & pulse. What Whitman called urge. What Lenny Bruce called truth."
Gwynne Dyer: "The Bush administration is probably wishing quite hard by now that Saddam had waited a little longer and been killed in his hole. While others debate where he should be tried and by whom, and whether he should face the death penalty or not, President Bush's people will be realizing just about now that they can't afford to give him a fair trial at all"
Saturday, December 27, 2003
Signage: "In what honor and dignity this art was anciently held amongst the Greeks and Romans, the old authors sufficiently testify; though afterwards all but lost, while it lay hid for more than a thousand years. It has now at length, only within the last two hundred years, by some Italians been brought again to light. For it is the easiest thing in the world for the Arts to be lost and perish; but only with difficulty, and after long time and pains are they resuscitated."
Friday, December 26, 2003
Ride Off Any Horizon
Ride off any horizon
and let the measure fall
where it may-
on the hot wheat,
on the dark yellow fields
of wild mustard, the fields
of bad farmers, on the river,
on the dirty river full
of boys and on the throbbing
powerhouse and the low dam
of cheap cement and rocks
boiling with white water,
and on the cows and their powerful
bulls, the heavy tracks
filling with liquid at the edge
of the narrow prairie
river running steadily away.
*
Ride off any horizon
and let the measure fall
where it may-
among the piles of bones
that dot the prairie
in vision and history
(the buffalo and deer,
dead indians, dead settlers
the frames of lost houses
left behind in the dust
of the depression,
dry and profound, that
will come again in the land
and in the spirit, the land
shifting and the minds
blown dry and empty-
I have not seen it! except
in pictures and talk-
but there is the fence
covered with dust, laden,
the wrecked house stupidly empty)-
here is a picture for your wallet,
of the beaten farmer and his wife
leaning toward each other-
sadly smiling, and emptied of desire.
*
Ride off any horizon
and let the measure fall
where it may-
off the edge
of the black prairie
as you thought you could fall,
a boy at sunset
not watching the sun
set but watching the black earth,
never-ending they said in school,
round: but you saw it ending,
finished, definite, precise-
visible only miles away.
*
Ride off any horizon
and let the measure fall
where it may-
on a hot night the town
is in the streets-
the boys and girls
are practising against
each other, the men
talk and eye the girls-
the women talk and
eye each other, the indians
play pool: eye on the ball.
*
Ride off any horizon
and let the measure fall
where it may-
and damn the troops, the horsemen
are wheeling in the sunshine,
the cree, practising
for their deaths: mr poundmaker,
gentle sweet mr big bear,
it is not unfortunately
quite enough to be innocent,
it is not enough merely
not to offend-
at times to be born
is enough, to be
in the way is too much-
some colonel otter, some
major-general middleton will
get you, you-
indian. It is no good to say,
I would rather die
at once than be in that place-
though you love that land more,
you will go where they take you.
*
Ride off any horizon
and let the measure fall-
where it may;
it doesn't have to be
the prairie. It could be
the cold soul of the cities
blown empty by commerce
and desiring commerce
to fill up the emptiness
The streets are full of people.
It is night, the lights
are on; the wind
blows as far as it may. The streets
are dark and full of people.
Their eyes are fixed as far as
they can see beyond each other-
to the concrete horizon, definite,
tall against the mountains,
stopping vision visibly.
Ride off any horizon
and let the measure fall
where it may-
on the hot wheat,
on the dark yellow fields
of wild mustard, the fields
of bad farmers, on the river,
on the dirty river full
of boys and on the throbbing
powerhouse and the low dam
of cheap cement and rocks
boiling with white water,
and on the cows and their powerful
bulls, the heavy tracks
filling with liquid at the edge
of the narrow prairie
river running steadily away.
*
Ride off any horizon
and let the measure fall
where it may-
among the piles of bones
that dot the prairie
in vision and history
(the buffalo and deer,
dead indians, dead settlers
the frames of lost houses
left behind in the dust
of the depression,
dry and profound, that
will come again in the land
and in the spirit, the land
shifting and the minds
blown dry and empty-
I have not seen it! except
in pictures and talk-
but there is the fence
covered with dust, laden,
the wrecked house stupidly empty)-
here is a picture for your wallet,
of the beaten farmer and his wife
leaning toward each other-
sadly smiling, and emptied of desire.
*
Ride off any horizon
and let the measure fall
where it may-
off the edge
of the black prairie
as you thought you could fall,
a boy at sunset
not watching the sun
set but watching the black earth,
never-ending they said in school,
round: but you saw it ending,
finished, definite, precise-
visible only miles away.
*
Ride off any horizon
and let the measure fall
where it may-
on a hot night the town
is in the streets-
the boys and girls
are practising against
each other, the men
talk and eye the girls-
the women talk and
eye each other, the indians
play pool: eye on the ball.
*
Ride off any horizon
and let the measure fall
where it may-
and damn the troops, the horsemen
are wheeling in the sunshine,
the cree, practising
for their deaths: mr poundmaker,
gentle sweet mr big bear,
it is not unfortunately
quite enough to be innocent,
it is not enough merely
not to offend-
at times to be born
is enough, to be
in the way is too much-
some colonel otter, some
major-general middleton will
get you, you-
indian. It is no good to say,
I would rather die
at once than be in that place-
though you love that land more,
you will go where they take you.
*
Ride off any horizon
and let the measure fall-
where it may;
it doesn't have to be
the prairie. It could be
the cold soul of the cities
blown empty by commerce
and desiring commerce
to fill up the emptiness
The streets are full of people.
It is night, the lights
are on; the wind
blows as far as it may. The streets
are dark and full of people.
Their eyes are fixed as far as
they can see beyond each other-
to the concrete horizon, definite,
tall against the mountains,
stopping vision visibly.
Wednesday, December 24, 2003
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