Friday, December 17, 2004

Anodyne on Steven Shearer at the CAG--

"That young dude posing down with his prize pot plant, his eyes glittering vampire-red from the camera’s flash? Irony. The painting of the greasy lunk whose hair highlights spell out H-A-S-H? Irony. Shearer’s fake Port Coquitlam basement metal band, the Puff Rock Shiteaters? Irony, baby. The alternative – that these works might actually be as transparent as glass, that Shearer might find something worthwhile or even appealing in his subjects – is too worrying for most institutional viewers to contemplate. Thus the unsigned wall panel at the CAG, whose anonymous author spends several densely worded paragraphs discussing systems of representation, and Shearer’s hopscotching jumps among them, without ever once discussing the artist’s subjects, a list apparently designed to bait the dependably liberal conscience of the Canadian art bureaucracy: longhairs; burnouts; suburban rednecks; decayed child stars; Kiss tribute bands; drunks, and assorted other “high”-culturally challenged folks."