Tsawawssen Ferry Terminal 0730

Norman Rockwell’s Photo Realism

Norman Rockwell’s rosy illustrations of small town American life looked so photographic because his method was to copy photographs that he conceived and meticulously directed, working with various photographers and using friends and neighbors as his models...

The Great Scrapple Correspondence of 1872

In the winter of 1872, the Letters page of The New York Times was briefly invaded by scrapple.

It all started with one reader’s paean to his favorite breakfast food. Calling himself “EPICURE,” he pronounced the dish—a Spam-like slab of cornmeal and pig parts—both delicious and inexpensive. If anyone was interested, he continued, he’d be delighted to share his good lady’s recipe...

Local trees & c

Prison Rape as Policy

America’s prison-industrial complex, like the health-insurance industry, is not designed to solve the problem it is ostensibly intended to address. The healthcare industry is a financial turnstile providing employment and profits to insurance companies, hospitals, doctors, pharmaceutical companies and other vendors; patient health is a means to an end. Similarly, prisons are jobs programs and tax boons to localities starving for revenue; prisoner rehabilitation is rarely in the equation.

Prisons are hellholes. Prison literature and biographical reflections, from Dickens or Solzhenitsyn, Malcolm X or Mumia Abu-Jamal, are testaments to truth telling and courage, not favorable prison conditions. As a document, the NPREC report reads like a research backgrounder for a futurist horror film. It paints a truly gruesome portrait of America’s prison conditions. Sadly, the report’s cast of characters does not include a Cagney of “Public Enemy” or a George Jackson at San Quentin or a Frank “Big Black” Smith at Attica. Without mass social unrest outside, the upheaval of the ’30s and the ‘70s, the culture inside the prison is one of victims and predators, not revolutionaries...