Wednesday, September 14, 2005


via metafilter a great trove of mp3's by Enrico Caruso

Ben Watt "The Night I Heard Caruso Sing" (from EBTG "Idlewild")

The highlands and the lowlands
are the routes my father knows,
the holidays at Oban
and the towns around Montrose,
but even as he sleeps,
they're loading bombs into the hills,
and the waters in the lochs can run deep,
but never still.

I've thought of having children,
but I've gone and changed my mind.
It's hard enough to watch the news,
let alone explain it to a child,
to cast your eye cross nature,
over fields of rape and corn,
and tell him without flinching
not to fear where he's been born.

Then someone sat me down last night,
and I heard Caruso sing.
He's almost as good as Presley,
and if I only do one thing,
I'll sing songs to my father,
I'll sing songs to my child.
It's time to hold your loved ones
while the chains are loose,
and the world runs wild.

But even as we speak,
they're loading bombs
onto a white train.
How can we afford to ever sleep,
so sound again?



 Posted by Picasa

Zak Smith's Illustrations for Each Page of Gravity's Rainbow

After telling someone I wasn't going to I find myself reading it again, in the golden Bantam paperback I first read it in, stretched in the back seat of Victor Bateman's one-door Ford in the parking lot of Nanaimo District Senior Secondary, 1975...

 Posted by Picasa
No Direction Home

"Let's be clear about one thing. Nothing that happened last week -- the mass destruction in the Mississippi Delta, the obliteration of the city of New Orleans, the murderous abandonment of thousands of people to death, chaos and disease -- will change the Bush Administration or American politics at all. Not one whit. President George W. Bush will not reverse his brutal policies; his Congressional rubber-stamps will not revolt against the White House; the Democrats will not suddenly grow a spine. There will be no real change, and the bitter corrosion of injustice, indifference and inhumanity that is consuming American society will go on as before.

One indication of this can be found in the first polls coming out after the disaster, which show that some 45 percent of the American people approve of Bush's handling of the relief effort. It seems inconceivable that any sentient being could witness the agonizing results of the Bush team's dithering, dilatory response -- an agony played out in the full glare of non-stop media coverage -- and not come away with a sense of towering anger at this criminal incompetence. But it's obvious that nearly half the American people have now left the "reality-based community" altogether; they see only what they want to see, a world bathed in the hazy, golden nimbus of the Leader. The fact -- the undeniable truth -- that behind this carefully-concocted mirage lies nothing more than a steaming pile of rancid, rotting offal means nothing to these true believers. The Lie is better, the Lie is more comforting, the Lie lets them keep feeding on the suffering of others without guilt or shame.


This painful split between obvious reality and popular perception is nothing new, of course. Today we look at old footage of Adolf Hitler and wonder how on earth such a pathetic and ludicrous creature could ever have commanded the adoration and obedience of tens of millions of people. Yet he did. As T.S. Eliot once wrote, "Human kind cannot bear very much reality." "

Tuesday, September 13, 2005


Glenn Gould's "The Search for Petula Clark" and Samuel Beckett's "Film" (with Buster Keaton) only some of the many goodies new and old on the thankfully revived U B U W E B
 Posted by Picasa

Smoky Moon


Smoky Moon, originally uploaded by The Nature Lady.

Last night the Nanaimo moon was still pale orange around midnight. Delta only 20km not forty, the wind going the other way today though hazy.

Burns Bog, September 11 2005


Burns Bog, September 11 2005, originally uploaded by megarhyssa.


shrooms (click) Posted by Picasa

Power to the victims of New Orleans

"Before the flood, this highly profitable vision was already displacing thousands of poor African-Americans: while their music and culture was for sale in an increasingly corporatised French Quarter (where only 4.3% of residents are black), their housing developments were being torn down. 'For white tourists and businesspeople, New Orleans's reputation means a great place to have a vacation, but don't leave the French Quarter or you'll get shot,' Jordan Flaherty, a New Orleans-based labour organiser told me the day after he left the city by boat. 'Now the developers have their big chance to disperse the obstacle to gentrification - poor people.'"
 Posted by Picasa

Monday, September 12, 2005


great to see Robert Duvall's The Apostle again, though with some concern for the lovely bayou country in which its mostly set...
 Posted by Picasa

Burns Bog: Fire outside of Vancouver (Sep. 11, 2005)

We're about 40km away, and this morning a pall of smoke started filling our valley.

Friday, September 09, 2005

I just got back from a FEMA Detainment Camp

"We then lug all food products requiring cooking back to the car. We start unloading our snacks. Mom appeared to have cornered the market in five counties on pop-tarts and apparently that was an acceptable snack so the guy started shoving them under the counter. He said these would be good to tied people over in between their two meals a day. But he tells my mother she must take all the breakfast cereal back. My mother protests that cereal requires no cooking. "There will be no milk, ma'am." My mother points to the huge industrial double-wide refrigerator the church had just purchased in the past year. "Ma'am, you don't understand...

It could cause a riot."

He then points to the vegetables and fruit. "You'll have to take that back as well. It looks like you've got about 10 apples there. I'm about to bring in 40 men. What would we do then?"

My mother, in her sweet, soft voice says, "Quarter them?"

"No ma'am. FEMA said no...

It could cause a riot. You don't understand the type of people that are about to come here...."

I turn and walk out of the room...lugging all the healthy stuff back to the car. My son later tells me the man went on to say "We've already been told of teenage girls delivering fetuses on buses." My son steps toward him and says "That's because they've almost been starved to death, haven't had a decent place to get a good night's sleep, and their bodies can't keep a baby alive. I'm not sure that's any evidence some one should be using to show these are 'bad people'."

Thursday, September 08, 2005

useful Katrina Timeline

(habeus corpus suspender Castlereagh)

PB Shelley---

The Mask of Anarchy

Written on the occasion of the massacre at Manchester.



As I lay asleep in Italy
There came a voice from over the Sea,
And with great power it forth led me
To walk in the visions of Poesy.

I met Murder on the way--
He had a mask like Castlereagh--
Very smooth he looked, yet grim ;
Seven blood-hounds followed him :

All were fat ; and well they might
Be in admirable plight,
For one by one, and two by two,
He tossed them human hearts to chew
Which from his wide cloak he drew.

Next came Fraud, and he had on,
Like Lord Eldon, an ermined gown ;
His big tears, for he wept well,
Turned to mill-stones as they fell.

And the little children, who
Round his feet played to and fro,
Thinking every tear a gem,
Had their brains knocked out by them.

Clothed with the Bible, as with light,
And the shadows of the night,
Like Sidmouth, next, Hypocrisy
On a crocodile rode by.

And many more Destructions played
In this ghastly masquerade,
All disguised, even to the eyes,
Like Bishops, lawyers, peers, and spies.

Last came Anarchy : he rode
On a white horse, splashed with blood ;
He was pale even to the lips,
Like Death in the Apocalypse.

And he wore a kingly crown ;
And in his grasp a sceptre shone ;
On his brow this mark I saw--
"I AM GOD, AND KING, AND LAW!"

With a pace stately and fast,
Over English land he passed,
Trampling to a mire of blood
The adoring multitude.

And with a mighty troop around
With their trampling shook the ground,
Waving each a bloody sword,
For the service of their Lord.

And with glorious triumph they
Rode through England proud and gay,
Drunk as with intoxication
Of the wine of desolation.

O'er fields and towns, from sea to sea,
Passed the Pageant swift and free,
Tearing up, and trampling down ;
Till they came to London town.

And each dweller, panic-stricken,
Felt his heart with terror sicken
Hearing the tempestuous cry
Of the triumph of Anarchy.

For from pomp to meet him came,
Clothed in arms like blood and flame,
The hired murderers, who did sing
"Though art God, and Law, and King.

"We have waited weak and lone
For thy coming, Mighty One!
Our purses are empty, our swords are cold,
Give us glory, and blood, and gold."

Lawyers and priests a motley crowd,
To the earth their pale brows bowed ;
Like a bad prayer not over loud,
Whispering "Thou art Law and God."

Then all cried with one accord,
"Thou art King, and God, and Lord ;
Anarchy, to thee we bow,
Be thy name made holy now!"

And Anarchy, the Skeleton,
Bowed and grinned to every one,
As well as if his education
Had cost ten millions to the nation. Top

For he knew the Palaces
Of our Kings were rightly his ;
His the sceptre, crown, and globe,
And the gold-inwoven robe.

So he sent his slaves before
To seize upon the Bank and Tower,
And was proceeding with intent
To meet his pensioned Parliament

When one fled past, a maniac maid,
And her name was Hope, she said :
But she looked more like Despair,
And she cried out in the air :

"My father Time is weak and gray
With waiting for a better day ;
See how idiot-like he stands,
Fumbling with his palsied hands!

"He has had child after child,
And the dust of death is piled
Over every one but me--
Misery, oh, Misery!"

Then she lay down in the street,
Right before the horses feet,
Expecting, with a patient eye,
Murder, Fraud, and Anarchy.

When between her and her foes
A mist, a light, an image rose.
Small at first, and weak, and frail
Like the vapour of a vale :

Till as clouds grow on the blast,
Like tower-crowned giants striding fast,
And glare with lightnings as they fly,
And speak in thunder to the sky.

It grew--a Shape arrayed in mail
Brighter than the viper's scale,
And upborne on wings whose grain
Was as the light of sunny rain.

On its helm, seen far away,
A planet, like the Morning's, lay ;
And those plumes its light rained through
Like a shower of crimson dew.

With step as soft as wind it passed
O'er the heads of men--so fast
That they knew the presence there,
And looked,--but all was empty air.

As flowers beneath May's footstep waken,
As stars from Night's loose hair are shaken,
As waves arise when loud winds call,
Thoughts sprung where'er that step did fall.

And the prostrate multitude
Looked--and ankle-deep in blood,
Hope, that maiden most serene,
Was walking with a quiet mien :

And Anarchy, the ghastly birth,
Lay dead earth upon the earth ;
The Horse of Death tameless as wind
Fled, and with his hoofs did grind
To dust the murderers thronged behind.

A rushing light of clouds and splendour,
A sense awakening and yet tender
Was heard and felt--and at its close
These words of joy and fear arose

As if their own indignant Earth
Which gave the sons of England birth
Had felt their blood upon her brow,
And shuddering with a mother's throe Top

Had turned every drop of blood
By which her face had been bedewed
To an accent unwithstood,
As if her heart cried out aloud :

"Men of England, heirs of Glory,
Heroes of unwritten story,
Nurslings of one mighty Mother,
Hopes of her, and one another ;

"Rise like Lions after slumber
In unvanquishable number.
Shake your chains to earth like dew
Which in sleep had fallen on you--
Ye are many--they are few.

"What is Freedom?" ye can tell
That which slavery is, too well--
For its very name has grown
To an echo of your own.

"Tis to work and have such pay
As just keeps life from day to day
In your limbs, as in a cell
For the tyrants' use to dwell,


So that ye for them are made
Loom, and plough, and sword, and spade,
With or without your own will bent
To their defence and nourishment.

Tis to see your children weak
With their mothers pine and peak,
When the winter winds are bleak,
They are dying whilst I speak.

Tis to hunger for such diet
As the rich man in his riot
Casts to the fat dogs that lie
Surfeiting beneath his eye ;

Tis to let the Ghost of Gold
Take from Toil a thousandfold
More than e'er its substance could
In the tyrannies of old.

'Paper coin' that forgery
Of the title-deeds, which ye
Hold to something from the worth
Of the inheritance of Earth.

Tis to be a slave in soul
And to hold no strong control
Over your own wills, but be
All that others make of ye.

And at length when ye complain
With a murmur weak and vain
Tis to see the Tyrant's crew
Ride over your wives and you--
Blood is on the grass like dew.

Then it is to feel revenge
Fiercely thirsting to exchange
Blood for blood--and wrong for wrong--
Do not thus when ye are strong.

Birds find rest, in narrow nest
When weary of their wing'd quest ;
Beasts find fare, in woody lair
When storm and snow are in the air.

Horses, oxen, have a home,
When from daily toil they come ;
Household dogs, when the wind roars,
Find a home within warm doors.

Asses, swine, have litter spread
And with fitting food are fed ;
All things have a home but one
Thou, Oh, Englishman, hast none ! Top

'This is Slavery' savage men,
Or wild beasts within a den
Would endure not as ye do
But such ills they never knew.

What art thou, Freedom ? O ! could slaves
Answer from their living graves
This demand--tyrants would flee
Like a dream's imagery :

Thou are not, as impostors say,
A shadow soon to pass away,
A superstition, and a name
Echoing from the cave of Fame.

For the labourer thou art bread,
And a comely table spread
From his daily labour come
In a neat and happy home.

Thou art clothes, and fire, and food
For the trampled multitude�
No' in countries that are free
Such starvation cannot be
As in England now we see.

To the rich thou art a check,
When his foot is on the neck
Of his victim, thou dost make
That he treads upon a snake.

Thou art Justice ne'er for gold
May thy righteous laws be sold
As laws are in England--thou
Shield'st alike both high and low.

'Thou art Wisdom' Freemen never
Dream that God will damn for ever
All who think those things untrue
Of which Priests make such ado.

'Thou art Peace' never by thee
Would blood and treasure wasted be
As tyrants wasted them, when all
Leagued to quench thy flame in Gaul.

What if English toil and blood
Was poured forth, even as a flood ?
It availed, Oh, Liberty.
To dim, but not extinguish thee.

'Thou art Love' the rich have kissed
Thy feet, and like him following Christ,
Give their substance to the free
And through the rough world follow thee,

Or turn their wealth to arms, and make
War for thy belov'd sake
On wealth, and war, and fraud--whence they
Drew the power which is their prey.

Science, Poetry, and Thought
Are thy lamps ; they make the lot
Of the dwellers in a cot
So serene, they curse it not.

Spirit, Patience, Gentleness,
All that can adorn and bless
Art thou--let deeds, not words, express
Thine exceeding loveliness.

Let a great Assembly be
Of the fearless and the free
On some spot of English ground
Where the plains stretch wide around.

Let the blue sky overhead,
The green earth on which ye tread,
All that must eternal be
Witness the solemnity.

From the corners uttermost
Of the bounds of English coast ;
From every hut, village, and town
Where those who live and suffer moan
For others' misery or their own,

From the workhouse and the prison
Where pale as corpses newly risen,
Women, children, young and old
Groan for pain, and weep for cold--

From the haunts of daily life
Where is waged the daily strife
With common wants and common cares
Which sows the human heart with tares�

Lastly from the palaces
Where the murmur of distress
Echoes, like the distant sound
Of a wind alive around

Those prison halls of wealth and fashion.
Where some few feel such compassion
For those who groan, and toil, and wail
As must make their brethren pale--

Ye who suffer woes untold,
Or to feel, or to behold
Your lost country bought and sold
With a price of blood and gold--

Let a vast assembly be,
And with great solemnity
Declare with measured words that ye
Are, as God has made ye, free--

Be your strong and simple words
Keen to wound as sharpened swords,
And wide as targes let them be,
With their shade to cover ye.

Let the tyrants pour around
With a quick and startling sound,
Like the loosening of a sea,
Troops of armed emblazonry.

Let the charged artillery drive
Till the dead air seems alive
With the clash of clanging wheels,
And the tramp of horses heels.

Let the fix'd bayonet
Gleam with sharp desire to wet
Its bright point in English blood
Looking keen as one for food.

Let the horsemen's scimitars
Wheel and flash, like sphereless stars
Thirsting to eclipse their burning
In a sea of death and mourning.

Stand ye calm and resolute,
Like a forest close and mute,
With folded arms and looks which are
Weapons of unvanquished war,

And let Panic, who outspeeds
The career of arm'd steeds
Pass, a disregarded shade
Through your phalanx undismayed.

Let the laws of your own land,
Good or ill, between ye stand
Hand to hand, and foot to foot,
Arbiters of the dispute,

The old laws of England--they
Whose reverend heads with age are gray,
Children of a wiser day ;
And whose solemn voice must be
Thine own echo--Liberty !

On those who first should violate
Such sacred heralds in their state
Rest the blood that must ensue,
And it will not rest on you.

And if then the tyrants dare
Let them ride among you there,
Slash, and stab, and maim, and hew,
What they like, that let them do.

With folded arms and steady eyes,
And little fear, and less surprise,
Look upon them as they slay
Till their rage has died away.

Then they will return with shame
To the place from which they came,
And the blood thus shed will speak
In hot blushes on their cheek.

Every woman in the land
Will point at them as they stand
They will hardly dare to greet
Their acquaintance in the street.

And the bold, true warriors
Who have hugged Danger in wars
Will turn to those who would be free,
Ashamed of such base company.

And that slaughter to the Nation
Shall steam up like inspiration,
Eloquent, oracular ;
A volcano heard afar.

And these words shall then become
Like Oppression's thundered doom
Ringing through each heart and brain.
Heard again!again!again!


Rise like Lions after slumber
In unvanquishable number
Shake your chains to earth like dew
Which in sleep had fallen on you
Ye are many--they are few.


(idea from the mighty James Wolcott)
Posted by Picasa
racism or just cynicism at ABC News: The Note?

"The poor families of the Gulf Coast are not as potent a force in Washington as the 9/11 families, and thus won't be able to force an independent review. "
Criminal

"But to focus on Bush's personal failings as a leader--to dwell on how he played a guitar as people drowned, or the unbelievable hubris of his photo-op leadership, or his complete inability to call for meaningful, shared national sacrifice in response to a tragedy of biblical scale--is to miss something more important. These are not the failings of one man. In the reaction to this disaster we see the worst elements of the Republican Party writ large--an obscene combination of incompetence, contempt for informed opinion (some might say reality) and a mad, corrupt libertarianism that assumes things will simply take care of themselves without the interference of government.

Northern Command stood by helplessly awaiting permission to attend the desperate and dying for the same reasons the American military was ordered to stand by as Baghdad was destroyed. Anyone who still fails to understand why Iraqis who are neither Baathists nor Al-Qaeda sympathizers have taken up arms has only to draw the line between New Orleans and the Iraqi capital. In the one case as in the other, conservatives who attempt to excuse the inexcusable only heap shame on themselves. This is criminal negligence, and there must be accountability. "

Tuesday, September 06, 2005


Lake George

"We're naming it Lake George, 'cause it's his frickin fault. Have you seen all that data about the levee projects' funding being cut over the past three years by the Prez, and the funding transferred to Iraq? The levee, as designed, might not have held back the surge from a direct Class 5 hit, but it certainly would not have crumbled on Monday night from saturation and scour erosion following a glancing blow from a Class 3. The failure was in a spot that had just been rebuilt, not yet compacted, not planted, and not armed (hardened with rock/concrete). The project should have been done two years ago, but the federal gov't diverted 80% of the funding to Iraq. Other areas had settled by a few feet from their design specs, and the money to repair them was diverted to Iraq.

The NO paper raised hell about this time and again, to no avail. And who will take the blame for it? The Army Corps, because they're good soldiers and will never contradict the C in C. But Corps has had massive budget cuts across all departments (including wetland regulatory) since Bush took office, and now we've reaped what was sown. It really pisses me off to see the Corps get used by the Administration to shield Bush -- they do great work when they're funded. This was senseless, useless death caused not by nature but by budget decisions."
 Posted by Picasa

Monday, September 05, 2005


RIP, GOP (An Exhortation)

"The Republicans haven't been winning because they have a better plan or sounder policies. They have been winning because they have spent billions of dollars on a coordinated media campaign to make a slim majority of voting America feel good about the worst aspects of their natures. They have succeeded, not by providing a national vision that inspires us to a higher nobility, but by telling us that giving in to our basest instincts is what's best for us as individuals and as a nation.

The product the GOP has been selling is absolution-- not the old-fashioned kind, purchased through self-sacrifice and dedication-- but a cheap, outsourced knock-off kind of absolution that says, 'its okay, we do it, too. We won't tell.'

How hard is it really to convince people that being selfish is the way to go? Where is the higher calling in predatory greed? What invention is required to pander to the lust for revenge?. Where is the challenge in stoking people's fears about personal safety, or in feeding the flames of prejudice?

Its not hard to aim for the lowest common denominator and that is exactly what the GOP has been doing. Rather than hatching a plan to make America a better place then convincing the public to support it, they have instead made a science of putting lipstick on a pig. They package greed and avarice and sell it as 'sound market policy.' They bind up cruelty and fear and slap on a label marked 'national security.' They take bigotry and hatred and push it out the door in a glossy package marked 'traditional family values.' There are no new ideas; only our darkest human frailties made bland with a double scoop of political weasel-words and sexed up with Madison Ave. sizzle. "

(via wood's lot)

 Posted by Picasa
White House Enacts a Plan to Ease Political Damage

"In a reflection of what has long been a hallmark of Mr. Rove's tough political style, the administration is also working to shift the blame away from the White House and toward officials of New Orleans and Louisiana who, as it happens, are Democrats.

'The way that emergency operations act under the law is the responsibility and the power, the authority, to order an evacuation rests with state and local officials,' Mr. Chertoff said in his television interview. 'The federal government comes in and supports those officials.'

That line of argument was echoed throughout the day, in harsher language, by Republicans reflecting the White House line."

online biography of fascinating archaeologist, filmmaker, poet Jacquetta Hawkes whose amazing pre-history of Britain "A Land" opens with the author laying in her Surrey back garden in the dark proprioceptively channelling the big island around her like something out of Blake or David Jones...



"Baffling anonymous but most poignant history held in matter - a few bones and pieces of money. Here, on a pin's head, one is privileged to see the fall of the Roman Empire"

 Posted by Picasa

Sunday, September 04, 2005

"MIKE GRILL: PHOTOGRAPHS

Opening Thursday, September 8, 6-8pm
September 8 - October 10

Curated by Christopher Brayshaw



CSA Space is an independent project space owned and operated by
Christopher Brayshaw, Adam Harrison, and Steven Tong. CSA exhibits
innovative contemporary artworks of all kinds. Submissions are not
accepted; exhibitions are by invitation only and based on the curators
own aesthetic judgements. Some exhibitions are developed between an
individual curator and an artist or artists; others will involve the
whole curatorial team. CSA supports a vital, non-institutionally
administered culture and will regularly organize talks, lectures, and
other public events. Under the imprint Editions CSA, the space may also
publish booklets, exhibition catalogs, monographs and artists editions.



CSA Space
#5 - 2414 Main Street.
email: info@csaspace.ca
site: www.csaspace.ca

Open Sat, Sun 12-5 and by appointment
see Pulpfiction Books, 2422 Main Street, for admission"

Saturday, September 03, 2005


"Many of the law enforcement offcials were driving around with their guns out the window."

dispatches from The Interdictor

"What a bowl of fubar soup we got served for dinner tonight. Yummy. Fuel is still a no-show. No ETA on my resupply schedule tonight.

Was waiting on the street freaking out the Federal Cops guarding the Bogs building until the actually came over to talk and found out who we are and what we're doing.

Then Homeland Sec comes driving by and yells water and hums a 20 ouncer at our feet without slowing down. I know I'm not looking too hot right now, but come on. I'm standing out there with my flashlight on in the middle of the road, obviously waiting on a convoy.

Bunch of stressed out, trigger-ready police and military types driving by suspicious as all hell. It's not safe just standing out on the street even if you look like you belong there.

Anyway, I'm gonna sit tight up here until something definite appears on the street."

Posted by Picasa

Friday, September 02, 2005

Noam Scheiber

"What makes the post interesting is that it cuts to a central dilemma for conservatives, which is that, at the level of worldview, they simply aren't able to accommodate an event like Katrina. They want to be able to say that government's job is basically to defend us against external enemies and criminals, and that short of that it's every man for himself. But despite efforts by people like Haley Barbour to try to fit Katrina into that rubric (with their preoccupatoin with shooting looters, who have come to occupy the role terrorists played in 9/11), it just doesn't fly. Yes, looters and armed thugs are now a problem in New Orleans. But, beyond the obvious (i.e., a category 4 hurricane and New Orleans' unfortunate geography/elevation), the reason the city has become such a hell-hole isn't looters; it's that the government wasn't very competent either beforehand or afterward at mitigating the effects of a natural disaster which were clearly possible to mitigate."

Thursday, September 01, 2005

Couldn't Pay the Price of Admission

"Lots of people in that area - the poor and the old and the sick - get checks from the goverment on the 1st of the month. They spend for the month with that money, so by the end of the month they are broke.

The storm hit on the 29th.

Many people could not afford the $50 to fill their gas tanks to leave. The interviewee said they people were begging him to please loan them the money for gas. They were forced to stay, and forced to stay when they were broke."

Why no mention of race or class in TV's Katrina coverage?

"But we aren't one united race, we aren't one united class, and Katrina didn't hit all folks equally. By failing to acknowledge upfront that black New Orleanians--and perhaps black Mississippians--suffered more from Katrina than whites, the TV talkers may escape potential accusations that they're racist. But by ignoring race and class, they boot the journalistic opportunity to bring attention to the disenfranchisement of a whole definable segment of the population. What I wouldn't pay to hear a Fox anchor ask, 'Say, Bob, why are these African-Americans so poor to begin with?'"
Guardian Unlimited | Special reports | Why city's defences were down

"'There doesn't seem to have been much attention paid to people who didn't have private automobiles,' he said. 'I didn't hear anything about school buses or city buses being used to aim people out of town.' He said that there appeared to be little forward planning to cater to those on low incomes who would be unable to return to their homes for up to two months but who would not have the money to pay for that time in a hotel. 'The Department of Homeland Security says on its website that it deals with natural disasters,' he said. 'They don't seem to have done a very good job. There doesn't seem to have been any long-term planning.'"
Wonkette

"A tipster informs us that down in New Orleans, they have a name for the flood waters that have invaded the city: Lake George. "
How New Orleans Was Lost - by Paul Craig Roberts

"Chalk up the city of New Orleans as a cost of Bush's Iraq war.

There were not enough helicopters to repair the breached levees and rescue people trapped by rising water. Nor are there enough Louisiana National Guardsmen available to help with rescue efforts and to patrol against looting.

The situation is the same in Mississippi.

The National Guard and helicopters are off on a fool's mission in Iraq.

The National Guard is in Iraq because fanatical neoconservatives in the Bush administration were determined to invade the Middle East and because incompetent Secretary of Defense Rumsfeld refused to listen to the generals, who told him there were not enough regular troops available to do the job.

After the invasion, the arrogant Rumsfeld found out that the generals were right. The National Guard was called up to fill in the gaping gaps.

Now the Guardsmen, trapped in the Iraqi quagmire, are watching on TV the families they left behind trapped by rising waters and wondering if the floating bodies are family members. None know where their dislocated families are, but, shades of Fallujah, they do see their destroyed homes.

The mayor of New Orleans was counting on helicopters to put in place massive sandbags to repair the levee. However, someone called the few helicopters away to rescue people from rooftops. The rising water overwhelmed the massive pumping stations, and New Orleans disappeared under deep water.

What a terrible casualty of the Iraqi war – one of our oldest and most beautiful cities, a famous city, a historic city.

Distracted by its phony war on terrorism, the U.S. government had made no preparations in the event Hurricane Katrina brought catastrophe to New Orleans. No contingency plan existed. Only now after the disaster are FEMA and the Corps of Engineers trying to assemble the material and equipment to save New Orleans from the fate of Atlantis. "

"French Quarter, Nov 5, 1941" by Charles W. Cushman

(thanks Plep)
 Posted by Picasa

Wednesday, August 31, 2005


Boing Boing: Email attributed to NOLA rescue worker; economics of disaster

"The poorest 20% (you can argue with the number -- 10%? 18%? no one knows) of the city was left behind to drown. This was the plan. Forget the sanctimonious bullshit about the bullheaded people who wouldn't leave. The evacuation plan was strictly laissez-faire. It depended on privately owned vehicles, and on having ready cash to fund an evacuation. The planners knew full well that the poor, who in new orleans are overwhelmingly black, wouldn't be able to get out. The resources -- meaning, the political will -- weren't there to get them out. "
 Posted by Picasa

old Penny Postcards from Biloxi, Gulfport etc, in better times, looking vulnerable, too open to the ocean, helpless. My deepest sympathies for everyone affected, especially the displaced.


 Posted by Picasa

Monday, August 29, 2005


Anodyne's list of favorite books includes a poem I wrote in the seventies!
 Posted by Picasa
Rue Hazard:--Latta's back!!

"Reading against one's clique--that is, omnivorously, unhesitantly, exceedingly--is the sine qua non of any robust criticism (or its recent simulacrum of "author-divvying") or poetry writing. Part of the job description. To constitute it as a particular "project" (donc, "admirable," donc, "worthy of our attention") smacks, yes, of dilettantism, attending schematically to a superficies. Gourmandizing. "

Friday, August 26, 2005

Thursday, August 25, 2005

James Wolcott

"George Costanza, furious that a pigeon didn't get out of the way of his car (in the stellar 'Merv Griffin set' episode), vented to Jerry that we have 'a deal' with the pigeons, a deal that Jerry elucidated upon.

The deal is, they get out of our way when we're walking or driving, and we overlook the statute defecation.

Simple as that. The pigeon George ran over didn't honor he deal.

The neocons had a deal with Pat Robertson and his followers. As long as Pat and company cleaved to Israel, the neocons would overlook that old Protocol Elders nonsense.

In short, Pat Robertson was their pigeon. They were willing to countenance his occasional poop."

Tuesday, August 23, 2005


guy who looks after the Tower Ravens--

Gwylum (male), aged 17
Thor (m), 14
Hugine (f), 10
Munin (f), 10
Branwen (f), 3
Bran (m), 2
Gundulf (m), 5 months
Baldrick (m), 5 months--


"'The fact it's an unusual job does give me a little bit of a fillip. There's no one else who can say 'I'm the only Ravenmaster Yeoman Warder in the world'.' "



 Posted by Picasa

over the Rockies and across the Strait comes the new TOLLING ELF with poems by Edmund Berrigan & cool linocutlets from the fabulous Sophia Warsh & a Tim Atkins Horace supplement--weighing less than a catbird--

10 Best Plumage by Edmund Berrigan

elegiac catbird
mercenary hedgehog hoecakes
as I crawls across my cheek
how's the new infection
a breeze sort of
wash the modal straw evaporate
bereaved touch of class
element pigment
anonymous sty hung
form of icebucket



 Posted by Picasa

Monday, August 22, 2005


buona sera to my favorite cinematographer Tonino Delli Colli

"'You've got to understand the sunlight, the contrast between light and shade. For Italians, who are familiar with the southern sun and the fog of the north, it's difficult to get things wrong.' "


 Posted by Picasa
How BC Trimmed 107,000 People from Welfare Rolls:

"The month he died, he was just one of 161 people who went out that way, according to documents obtained under the Freedom of Information Act. Between June 2002 and January 2005, a period of 32 months, 6,065 people on welfare died.

(To put that in perspective, in 2003, the latest for which statistics are available, 443 people reportedly died in traffic accidents in the province.)

For comparison, during that period, 37,404 people left welfare by Campbell's preferred route, because they obtained employment. Put another way, for roughly every six people on welfare who got a job, one died."

Sunday, August 21, 2005


Frank Rich--The Swift Boating of Cindy Sheehan

"The 24/7 cable and Web attack dogs can keep on sliming Cindy Sheehan. The president can keep trying to ration the photos of flag-draped caskets. But this White House no longer has any more control over the insurgency at home than it does over the one in Iraq."



 Posted by Picasa

Wednesday, August 17, 2005


listen to 44 seconds of The Ivory-billed Woodpecker

"It is the largest of all woodpeckers found in the United States and has been nicknamed "The Lord God Bird", from the usual expletive uttered whenever one appeared on the wing."

(via the recently-returned robot wisdom weblog)




Posted by Picasa

Tuesday, August 16, 2005


work of Lateral Argument poet Kevin Davies irks Local Media (though you're told where to get it):--

"The magazine closes on the ridiculous, about 20 pages of deliberate and worthless nonsense by Kevin Davies, who may well be unaware..."
 Posted by Picasa

Monday, August 15, 2005


Happy Birthday to me. Daph got me the 1913 first edition of the giant Funk & Wagnall's New Standard Dictionary, edited by Frank Vizetelly, printed on 3000 pages of limp, heavy bible paper. 450,000 headwords, numerous engravings, occasional childish scrawls, numerous pressed plants...

"Alfred E. Smith's ''baloney dollar'' could not swerve Dr. Vizetelly from ''bologna.'' But he was quick to favor President Roosvelt's ''chiseler'', which he said actually had attained dictionary rating in England in 1808. He found ''whoopee'' went back to A.D. 450, discovered grammatical imperfections in Noah Webster and dismissed 1935's ''Oakie-doke'' as a moron's ''Yes.'' Posted by Picasa

Sunday, August 14, 2005


Cascadia Terminal Bucket Elevator, Vancouver


Portland filmmakers Bill Daniel and Vanessa Renwick are back in the van and touring the Pacific Northwest with new work.

Contact: Bill Daniel, www.billdaniel.net, billdaniel@hotmail.com, 503 939 6916 mobile
Vanessa Renwick, www.odoka.org, odoka@hotmail.com

“Daniel and Renwick make some of the liveliest work on the microcinema circuit, wherein film, video art, and music collide with edgy, confrontational, unpredictable and often exuberant intensity”--- Ann Hornaday, The Washington Post

Headlining is Daniel’s just-completed 56min documentary on the secret history of hobo and railworker graffiti, called WHO IS BOZO TEXINO? Shooting over a period of 16 years, Daniel rode freights across the west gathering interviews and clues to the identities of many of the most legendary boxcar artists while discovering a vast underground folkloric practice that has existed for over a century.

Also on the bill is WALDO POINT, by Saul Rouda, 1970, a 20 min. stoned and song-filled documentary shot in Sausalito’s hippie houseboat community. An utterly unique and authentic snapshot of ‘60’s freedom set in a floating utopia of hand-made houseboats.

Vanessa Renwick (the Oregon Dept. of Kick Ass) presents two shorts: BRITTON, SOUTH DAKOTA, a series of haunting images of depression-era children, and CASCADIA TERMINAL, a mesmerizing portrait of Vancouver’s towering industrial facility.

TOUR SCHEDULE

Aug 12 Santa Cruz, Guerilla Drive-In, www.thespoon.com/drivein
Aug 18 Arcata, HSU, Goodwin Forum in Nelson Hall East, 9pm $5 707-822-9531
Aug 19 Eugene, Museum of Unfine Art, 8:23 pm, 541-683-7357
Aug 24 Anacortes, Dept. of Safety, 8pm, $4, www.departmentofsafety.com
Aug 25 Victoria BC, 50/50 Arts Collective, 2516 Douglas, 9pm, $5
Aug 26 Vancouver BC, The Butchershop, 195 E 26th Ave, 9pm,$5, www.butchershop.ca
Aug 27 Bellingham, 3B Tavern, 122 N State st, 8:30pm, $5 www.3btavern.com
Aug 28 Port Townsend, The Boiler Room, 8pm, $5
Aug 30 Olympia, tba
Aug 31 Seattle, Central Cinema, (runs thru Sept 4) 6:30,8:15, 10:00 nightly,
1411 21st Ave, central-cinema.com,
Aug 31 special opening night event, live music by Spectratone International (featuring Lori Goldston and Kyle Hanson of Black Cat Orchestra) at 9pm, screenings at 7 and 10. (filmmaker in-person only on the 31st)
Sept 3 Astoria, Columbia Theatre, 503-325-2233


INFO FOR BRITTON, SOUTH DAKOTA BY VANESSA RENWICK

SYNOPSIS:
Ivan Besse was the Strand movie theater manager in Britton, S. Dakota during the Depression. He had a 16mm camera and went about town shooting people at their various activities during the day. He would show the footage before features and newsreels as a way to lure the people into the theatre.
Most of the 2 1/2 hours of footage that he shot is of people walking down the street, there are also scenes of a barn being moved, a corn husking contest and kids running out of school.
The footage that really stood out to me was these 8 minutes of portraits of children. They had no idea of what a movie camera was.

CREDITS:
Director: Vanessa Renwick
Music: Johnne Eschleman
Cinematographer: Ivan Besse (shot in 1938)
Footage obtained from The Prelinger Archives / Rick Prelinger
for the DeComposer Film and Music series programmed by Bill Daniel and Vanessa Renwick in Portland, Oregon

“Not only found footage, but a found film made 60-some years ago directly addressing contemporary structural concerns. I wish I had made this film today. Oh, it was made today.”
James Benning, judge NWFF 2003, awarded Britton, S.Dakota† Best Experimental Film
“The lack of narrative invites dressing these cinematic dolls with futures, now histories. The melancholic drone of the accompanying organ music tends to lead them into sad tragic finery.” NWFF

Gecko Prize, Cinematexas 2004

Gus Van Sant Award Best Experimental Film, Ann Arbor Film Festival 2005




"Portrait #1: Cascadia Terminal'
by Vanessa Renwick
sound by Tara Jane O'Neil
16mm hand processed and tinted to video
6 minutes 2005


A mesmerizing stare at the most efficient grain terminal at the port of Vancouver, B.C.
The terminal is serviced by the Canadian Pacific Railway and can unload up to 300 cars in 24 hours which is equal to approximately 25,800 tons of prairie.