Otto Preminger's masterful adaptation of Francoise Sagan's Bonjour Tristesse, long a mosses favorite, on TCM at 700--

"In spite or perhaps precisely because of her flaws, if you love Jean Seberg, then you must love the film. Her performance, like Preminger's direction, is by turns problematic and sublime. In a strange way Jean's fragility as an actress - her constricted movements, her masked expression, her untrained yet distinctive voice, shivery and enchanting - mirrors Preminger's own inconsistency, his sometimes imperfect mastery of his own gifts...Ultimately her performance as a remote beauty with a capacity for casual destructiveness is bewitching."