Wednesday, December 30, 2009


review of a new book on Monk
Many remember the six-month residency as a turning point when Coltrane became a legend. Sonny Rollins, whose star rose before Coltrane's, also remembered Monk as an incomparable teacher. Each of them attempted to play beyond the boundaries of what their instruments were made to do. They tried to re-create Monk's musical sense on an instrument that could only play one note at a time. Nevertheless, they honked where Monk banged, countering his cascades and circuitous phrases with their own runs, with their own personalities, in their own complementary vocabulary. They played with such speed, dexterity and obsession that each set a bar for the tenor saxophone that has still not been superseded half a century later. The grunting seer with the beret at the keys lit the match...